Cinema Dispatch: Top 10 Best Movies of 2021

2021 may not have been as sparse as 2020 as far as releases, but it was still a rough year to get out to the theater and so I didn’t as many movies as I had hoped; hence why I did a few pieces trying to catch up on a few things that I missed. If I didn’t get a chance to review it, I didn’t put it on this list so keep that in mind as we go through the best films that I saw last year! Let’s get started!!

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Honorable Mentions: Spiral & Snake Eyes

Spiral Review; Snake Eyes Review

I like to give the unofficial eleventh spot to something that may not have been a great film but clicked with me in some strange way and held my interest throughout the year. For 2021, it was two movies that managed to do something new with existing franchises that I had written off a long time ago; GI Joe being a series I’ve never been a fan of and Saw having run itself into the ground a decade ago. Both films are significantly flawed in some fundamental areas with Snake Eyes having some terribly shot action and Spiral losing a lot of tension whenever Chris Rock starts in on his shtick, but I’m genuinely impressed at how both brought their respective franchises back from the dead by getting to the heart of what makes them work in the first place. Saw as a police procedural feels more in tune with the strengths of the series than any of the Bigger is Better sequels, and Snake Eyes focusing on a handful of key players instead of throwing the entire GI Joe/Cobra war at us from the outset allows us to actually develop these characters and make us care about their struggles and motivations. In a year that gave us hollow and cynical nostalgia bait like Space Jam: A New Legacy and Ghostbusters; Afterlife, it was refreshing to see movies take a sincere and stripped-down approach to build us towards something new instead of rehashing the same old nonsense as blatantly and obnoxiously as possible.

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Cinema Dispatch: Top 7 films of 2021 That Need Improvement

Another year has come and gone, and as always we must take one look back before we move on to whatever comes next. Well, at least that’s usually how it goes, but 2022 started off pretty hectic for me so it took me a while to find time and collect my thoughts on the year prior. As usual, we start with the films that I thought needed improvement before getting to the good list, and hopefully, this can stay constructive instead of vitriolic. That proved to be rather challenging with some of these movies, as there were some rough ones this year, but enough beating around the bush! Let’s get started!!

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Marvel’s Underwhelming Theatrical Releases – Black Widow & Eternals

Black Widow Review; Eternals Review

Avengers Endgame was the culmination of a decade’s worth of storylines, and whether or not it was truly the peak of the MCU, it definitely feels like all the movies since then have been listless and without direction. Black Widow, in particular, felt like a holdover from the era of Iron Man 2 and while Eternals definitely has some decent imagination and skill behind it, the story never quite connected with me and it felt just as aimless as everything else we’ve gotten from the MCU this year. Now obviously the formula has proven far too successful to make any significant changes (certainly not with Spider-Man making as much money as it did), but considering how great the TV shows have been on Disney Plus compared to the films, it might be worth considering that the MCU is no longer suited for big scale and even bigger budget action films; at least not until they establish who the new crop of heroes will be and what the new threat is. There are some films on the horizon that are at least intriguing like that new Doctor Strange movie and the reboot of Blade, but the Post-Endgame growing pains have been rather frustrating to sit through.

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Super Wrestling: AEW Rampage (02-11-2022)

AEW Rampage is owned by All Elite Wrestling, Tony Khan, Shahid Khan, and TNT

We’re back with another week of Rampage action, and with Dynamite being on something of a hot streak recently, this show has to work extra hard to be the best hour of wrestling each week! Can this episode hope to keep up with the amazing reveals and the brutal action on the main show, or is this going to be AEW’s B-show while Dynamite is building up towards the PPV? Let’s find out!!

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Roppongi Vice (Trent Beretta & Rocky Romero) Vs. Young Bucks

Roppongi Vice is accompanied to the ring by Orange Cassidy while the Bucks are accompanied by Brandon Cutler

I have no idea what a Roppongi is, but this is a team that was around for quite a while in New Japan, so having them go up against the Bucks is like the good version of when TNA kept hiring old guys to rehash old feuds on their show. I should probably find some of those matches as well because if this is any indication of what they were like, then they’re right up my alley because this was a goofy good time! The shtick starts off early when Trent and Rocky get a decent start on the Bucks, so they just give up and head up the ramp. Roppongi Vice obviously follow them, but SWERVE! They turn around and Super Kick them before running back to the ring in the hopes of scoring a count-out victory, which they very nearly do as Rocky barely makes it back at nine. Oh, but that’s not all! The Bucks get a few good shots in at Roppongi Vice due to their scheme and then start to menace Orange Cassidy who just peaces out and rolls under the ring. The Bucks drag him back out only to find that it’s Danhausen who starts waving his arms while Roppongi Vice hits Stereo Suicide Dives! The Bucks eventually regain control after this and start playing games with Rocky Romero (going so far as to the Best Friends hug in front of him), but eventually, he makes the hot tag to Trent who runs wild and the two hit a Doomsday Device on Nick Jackson. Soon after, Trent hits an Avalanche German on Matt Jackson followed by a Strong Zero which would have won the match, but Nick Jackson breaks up the pin. This was their best chance to bring the match to a close, but they are undeterred and go for another Doomsday Device… only for Matt Jackson to flip out of it and for the Bucks to then hit a Meltzer Driver on Rocky. Trent manages to break up that pin attempt, but he’s not able to break up the next one as the Bucks hit a BTE Trigger and get the pin to win the match. Orange Cassidy is checking on Rocky while Brandon Cutler is dancing around the ring acting like a Stooge, so Cassidy hits the Lousy Kicks before landing the Orange Punch. Not appreciating this attack on their henchmen, the Bucks hit a Superkick Party on Orange Cassidy, and then Jay White shows up and hits the Blade Runner on Trent; thoroughly trouncing the Baby Faces and setting the stage for an even STRONG Elite faction. As long as they keep adding new guys and new matchups, I suppose I can’t complain too much about this feud getting long in the tooth. It’ll be interesting to see how Jay White fits into everything, but how many more guys are we gonna get on both sides of this conflict? Is it going to be like one of those comic book crossover events where everything stops and focuses on this one big feud? That would actually be pretty awesome now that I think about it. Twenty dudes on one side of the ring versus twenty dudes on the other! Let’s make it happen!

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Super Wrestling: AEW Dynamite (02-09-2022)

AEW Dynamite is owned by All Elite Wrestling, Tony Khan, Shahid Khan, and TBS

We’re back with another week of AEW action, and we are creeping slowly but steadily back to relevance here on the site! We’re still a little bit behind, but the gap is growing closer just as we start to build towards the next AEW PPV. Will this be another solid episode full of great matches and interesting storylines as we head to the big event, or will my quest to catch up on the slow be an unending slog of tedium? Let’s find out!!

The episode begins with MJF and his cronies in The Pinnacle coming to the ring to celebrate his win last week against CM Punk. To say MJF is good at being a Heel is overwhelmingly redundant at this point, but he can still surprise you with how clever he can be in being a hateable tool. While everyone else comes down wearing suits and clutching drinks, he is carried out on a throne to an unimpressed and vocal crowd. After several minutes of milking his entrance, he finally starts talking about how he’s better than the best in the world and how the next step is obviously to crown him as AEW World Champion. Now I would have expected Adam Cole to come out since he made his intentions for the title clear on Rampage, but instead, it’s CM Punk who answers MJF’s tirade. Tony Schiavone is more than happy to meet him with a microphone, and Punk calls into question the win he had last week. More importantly though, he learned the lesson that no man is an island, and he brought some friends along to back him up this time; namely, Darby Allin and Sting who come out with baseball bats. Now this is where Punk gets clever, and this segment goes from good to great because he starts demanding a rematch… but NOT against MJF! Plot twist! He wants it against the person who was ACTUALLY responsible for his loss last week, namely Wardlow. This is brilliant because it’s an unexpected turn that puts The Pinnacle on their back foot while also hitting MJF right in his overinflated ego. In fact, it works so well that MJF proposes a different match and puts himself up as the prize; if Punk and a partner of his choosing can beat FTR tonight, then Punk can get a rematch against him. The catch is that Punk cannot choose Sting or Darby Allin as his partner; assuming of course that everyone in the back hates Punk as much as he does. Punk naturally accepts and leaves us in suspense as to who he will choose to be his partner. This was not just a solid Heel promo for MJF, but a great example of a Baby Face trying to get a rematch without looking desperate. Punk looks genuinely smart in the way that he’s manipulated MJF into giving him exactly what he wants, but MJF also doesn’t look like a total irrational fool because he managed to get the stipulation he wanted into the tag match, so both walk away with something which makes the feud that much more interesting!

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Cinema Dispatch: Uncharted

Uncharted and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Ruben Fleischer

The quest for the truly great video game movie has felt like a moot point for years now; especially since people are rediscovering some of those old nineties films and realizing that they were actually pretty good. Mortal Kombat is well regarded for its fun action and interesting aesthetic (certainly more so than its 2021 counterpart) and I still maintain that the Super Mario Bros movie is an unsung classic of the dystopian sci-fi genre. Heck, even with the more recent films like Detective Pikachu, a good chunk of the Resident Evil movies, and arguably Sonic the Hedgehog, it’s hard to say with a straight face that we’re still waiting for someone to “get it right” when there are plenty of examples we can point to that are more than watchable. Now it’s time for Sony’s big cinematic money maker for the PlayStation to try and prove that it can be a good movie in its own right instead of just mimicking big-budget adventure films. Will it be another feather in the game industry’s cap as far as film adaptations, or will this be as quickly forgotten as that Tomb Raider movie from a few years ago? Let’s find out!!

Nathan Drake (Tom Holland) is a lovable crook in the heart of New York as he steals his way through a meager life because how else are you going to afford rent there? He has aspirations of… I guess being Indiana Jones at one point, but it’s not until some shady guy named Sully (Mark Wahlberg) offers him a job that his career as an adventurer finally gets off the ground. With promises of an impossibly large treasure as well as clues to what happened to his missing brother Sam, Nathan jet sets around the world to solve the mystery of Magellan’s lost gold! With the help of an associate of Sully’s named Chloe (Sophia Ali), can this unlikely team manage to find the treasure before ruthless businessman Santiago (Antonio Banderas) and his crew of even more ruthless mercenaries led by Jo (Tati Gabrielle) can take it for themselves? Who is this Sully guy anyway, and is he being forthright with everything he knows about Sam? Does Nathan have any idea what he set himself up for? I mean there are at least four games I could have shown him to give him a clue before he agreed to this ridiculous adventure.

“We’re falling to our deaths AND everything is on fire!?”
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Super Wrestling: AEW Rampage (02-04-2022)

AEW Rampage is owned by All Elite Wrestling, Tony Khan, Shahid Khan, and TNT

We’re back another episode of Rampage which often ends up being the better of the two shows; mostly because they can get in and out with a bunch of good matches while Dynamite tries to figure out what the direction is for the next few weeks. That said, Dynamite had a pretty solid show with a fantastic main event, so is this one of the few times where Rampage isn’t the more exciting show of the week? Let’s find out!!

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Adam Cole Vs. Evil Uno

As a diehard Evil Uno fan, this wasn’t exactly a fun match to watch. The guy doesn’t even get his entrance and it’s over in less than two minutes which is quite below what I expect to see from the de facto leader of the Dark Order! Oh sure he gets to do that Hanging Neck Breaker thing and gets a bit of a hope spot after that, but then Cole gets the knees up on a Senton attempt and that’s pretty much it for Uno. He gets one Rolling Elbow after that before a High Knee from Cole that knocks him out cold. For good measure, Cole hits another kick to the face and a Boom Knee Strike, and then finally goes for the pin to win the match. The goal was clearly to make Adam Cole look strong which is good because of what they do after the match, but I know Uno can put on a better showing than this! Maybe he and Stu can get a decent match challenging Jurassic Express for the Tag Team Titles, but for now, let’s hear what Cole has to say.

Cole starts listing off all the guys he beat in singles competition and reiterates that OFFICIALLY he has never lost a singles match. Sure, there was that thing with Orange Cassidy a week ago, but that was a Lights-Out match and doesn’t count in the record books! Still, even as the words are coming out of his mouth it’s clear he doesn’t believe them as e feels the need to reassert himself here as the best in this business, and what better way to do that than to go for the AEW World Title? Assuming of course that Hangman Adam Page can survive the TEXAS DEATH MATCH with Lance Archer, it would be pretty interesting to see those two lock it up in the ring, and it wouldn’t be the first time a challenger to Hangman went through Evil Uno first.

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Super Wrestling: AEW Dynamite (02-02-2022)

AEW Dynamite is owned by All Elite Wrestling, Tony Khan, Shahid Khan, and TBS

We’re back with another week of Dynamite action that you probably forgot about already given that I’m still about two weeks behind! Then again, this DOES have the confrontation between MJF and CM Punk that we were waiting months to see, so perhaps the memories are still a bit fresh in your minds! Was this a fantastic blowoff to a fantastic feud, or were we all just setting ourselves up for disappointment? Let’s find out!!

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Jon Moxley Vs. Wheeler Yuta

Yuta is accompanied to the ring by Orange Cassidy and Danhausen

I still have no idea who this Danhausen guy is, but it hardly matters as he’s not much of a factor here. For the most part, it stays focused on Moxley and Yuta with only the occasional interaction with Orange Cassidy to foreshadow a future match between him and Moxley. As I’ve said before, AEW doesn’t typically do squashes with their named talent, and so Wheeler Yuta gets plenty of offense here with a Manhattan Drop, Step Up Enziguri, and Corner Splash combo giving him a decent hope spot in the middle of the match, and this forces Moxley to roll to the apron. The two start fighting on there, but it’s clear that whatever Yuta throws at him, Moxley can not only take it but dish it back with twice as much force and so he manages to hit a DDT on the apron that sends Yuta to the floor. This is when he spends time to confront Orange Cassidy while Danhausen does some sort of finger magic thing, and it gives Yuta enough time to land a Top Rope Splash onto Moxley, and this leads to a German Suplex into a bridge that gets Yuta a two count. The two go back and forth for a bit with Yuta managing to turn a Paradigm Shift into a slam on Moxley, but Moxley once again brute forces his way to having the upper hand. He locks in a Rear Naked Choke to stop Yuta’s momentum and knocks him to the floor with a King Kong Lariat. A Paradigm Shift soon follows and that’s all she wrote as Yuta stays down for the three count which gives Moxley the win. It wasn’t a bad opener, but it wasn’t anything special either. Moxley seems to be easing back into his role here at AEW with basic matches, but it looks like we’ll be moving towards something bigger soon enough because…

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Cinema Dispatch: Moonfall

Moonfall and all the images you see in this review are owned by Lionsgate

Directed by Roland Emmerich

Roland Emmerich and I don’t always see eye to eye, but sometimes he can put together a decent enough spectacle to remind us of why he became such a big name in blockbuster cinema. Heck, I’m probably one of the few critics that thought Independence Day: Resurgence was pretty decent, so it shouldn’t take too much for me to give his latest movie a thumbs up; especially with such a brilliantly simple premise! The moon crashing into the Earth? It practically writes itself! Does Emmerich pull it off once again with this rather tenuous adaptation of Majora’s Mask, or will we be hoping for the moon to actually crash into us by the time this movie is over? Let’s find out!!

All the way back in the year 2011, a crew of astronauts was attacked by a mysterious space anomaly that led to one astronaut dying and the other two having to make a daring crash landing back on Earth. They manage to survive the incident, but one of them, Brian Harper (Patrick Wilson) ends up taking the fall for it as he insists that there was something out there that caused it and that it wasn’t just solar flares or orbital wobble. Fast forward ten years and the other astronaut, Jocinda Fowler (Halle Berry), managed to make her way to Deputy Director of NASA while Brian has snuggled into the role of a disgraced booze-hound who will surely be quick to sober as soon as everyone realizes he was right all along. Sure enough, the moon starts to fall out of orbit and it looks like this anomaly is responsible for it; not that NASA wants to admit it, but a conspiracy theorist KC Houseman (John Bradley) manages to get the word out and the world starts to panic over the fact that they’re about to find themselves between a literal rock and a hard place. With little time to put a plan together and even less time to pull it off, Jocinda calls in Brian who drags along KC to try and save the world from utter destruction. Oh, and other people are doing stuff here and there, mostly involving the families of our main characters, but they’re mostly on hand to look at all the stuff getting destroyed. Can our unlikely trio of scientists and pseudo-scientists fix the moon before it turns the Earth into a giant space donut? What is the nature of this anomaly that Brian saw, and are there forces working behind the scenes to stop our heroes from discovering the truth? I don’t know, if we can’t figure out how to stop Global Warming, what are the chances we can stop the moon from headbutting us?

“All that recycling and it turns out the moon was gonna kill us all along.” “I blame social media.”
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Super Wrestling: AEW Rampage (01-28-2022) – Beach Break

AEW Rampage is owned by All Elite Wrestling, Tony Khan, Shahid Khan, and TNT

We’re back with more AEW action, though at this rate we’re probably a solid two weeks behind here and I’m sure everyone has already moved on to talk about whatever headline-grabbing events occurred on the most recent episode. Still, it’s good to keep chugging away at these for posterities sake, and honestly, missing an episode of wrestling is like skipping over an issue of a superhero comic; you’re guaranteed to get lost if you don’t have the complete picture at all times. Does this episode of Rampage live up to the Beach Break event in ways that the Dynamite show did not? Let’s find out!!

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Jon Moxley Vs. Anthony Bowens

Bowens is accompanied to the ring Max Caster

Despite Moxley’s overwhelming popularity, he’s not a guy who lets it go to his head. Where a place like WWE would want winners to be winners and never show an inch, AEW has a much less strict attitude for its wrestlers which is just another reason that fits in so well here. To wit, Moxley gives up quite a bit to Anthony Bowens who eats a lot of offense and does a lot of bumping at the start of the match but eventually turns things in his favor for the rest of it. It helps that Caster is on the outside to provide the occasional distraction, but Bowens is still a great wrestler and they certainly don’t want to bury him here, even against a top talent guy like Moxley. Bowens manages to hit a Superplex on Moxley which gets him a pretty close two-count, and Caster makes a big save by pushing Bowens out of the way of a Suicide Dive. This gives Bowens a chance to hit a DDT, but still, Moxley will not stay down as he kicks out at two. With Bowens seeing the writing on the wall, he manages to get a chain from Caster and attempts to hit Moxley behind the ref’s back, but Moxley quickly hits a Cutter that leaves Bowens flat on the mat. Caster makes a desperate attempt to even the odds, but Moxley throws him out of the ring immediately and finishes off Bowens with a King Kong Lariat and a Paradigm Shift. I’m glad that Moxley is back and putting on good matches, and I’m MORE than glad that AEW is recognizing Bowens as a solid talent, but the match couldn’t really rise above being good as I think the Acclaimed formula is getting stale. Having Caster interfere constantly and teasing the boom box spot only for the Heels to get their comeuppance is a fine formula, but it starts to lose its impact if that’s what we see every time.

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Cinema Dispatch: Jackass Forever

Jackass Forever and all the images you see in this review are owned by Paramount Pictures

Directed by Jeff Tremaine

This was yet another movie pushed WAY back due to the Pandemic, but honestly the kind of thing I want at this point.  Even if things are far from over, we’ve been on a hellacious journey the last two years and a nice little nostalgic throwback like this can certainly lift my spirits; assuming of course they manage to pull it off.  All the Jackass movies have worked so far, but can the formula work even when the gang is within spitting range of collecting social security checks?  Let’s find out!

The dudes who you know and love from the previous film are back once again to do ridiculous stunts and terrifying endurance tests for your amusement.  That’s about all there is to it, and that’s about all there’s ever been to this premise.  Film a bunch of stuff, put it in a decent order, and save something big for the very end.  Despite such a simple formula, is it something that they can pull off for the fourth time?  What new wacky ideas did they come up with in the ten years since the last film?  Will any of them live through this to see Jackass 5, or is this as far as we should push it?

“I’m Jonny Knoxville, and welcome to… Zzz”     “Johnny?  JOHNNY!”     “JACKASS!  What?  What happened?”
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