Cinema Dispatch: The Last Witch Hunter

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The Last Witch Hunter and all the images you see in this review are owned by Summit Entertainment

Directed by Breck Eisner

And so we find ourselves with yet another chance for Vin Diesel to prove his nerd creds.  The guy is one of the biggest nerds in Hollywood and has shown it time and time again by attaching himself to big sci-fi and fantasy epics in between Fast and Furious sequels.  While some have been great like Pitch Black, others have not been so great like Babylon A.D.  Will The Last Witch Hunter be one of his better forays into bringing table top gaming to the silver screen, or will this be another misstep for an actor who can’t catch a break unless he’s behind the wheel of a car?  Let’s find out!!

The movie chronicles the modern day adventures of Kaulder (Vin Diesel); the immortal witch hunter who was cursed with this power by a witch he killed.  Seems legit I guess.  For the past couple hundred years he’s been working for The Axe and Cross to keep the peace between humanity and magic users who are allowed to live, but only under Harry Potter rules.  None of the humans outside of the Axe and Cross (which I’m PRETTY sure is just the Catholic Church) are to know about them and their powers and anyone who uses their powers on humans are the next victims of Kaulder.  After getting back from a trip to stop a witch from hurting herself and others with some dangerous rocks, Kaulder finds out that the Axe and Cross’s official liaison for him, the thirty-sixth Dolan (Michal Caine), is retiring and being replaced by the thirty-seventh Dolan (Elijah Wood).  However, his retirement is short lived as THE VERY NEXT DAY Kaulder gets a call that the dude had keeled over.  With bullshit detectors that have been sharped over hundreds of years, it doesn’t take long for him to realize that the cause of death was MURDER!!!  Who could possibly be behind his death!?  Well Kaulder intends to find out along with the thirty-seventh Dolan and a local witch (Rose Leslie) whose life Kaulder ruins yet still feels like tagging along for this very dangerous endeavor.  Will Kaulder find out who killed his friend?  Is there a greater mystery to be solved when they find out WHY he was killed?  Is this at least as good as Constantine!?

And those questions will be answered… right now.  Yes, yes, and HELL no!!!
And those questions will be answered… right now.  Yes, yes, and HELL no!!!

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Cinema Dispatch: Goosebumps

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Goosebumps and all the images you see in this review are owned by Columbia Pictures

Directed by Rob Letterman

Well if Nineties Nostalgia is going to be a thing now, I guess we’ll be seeing movies like this pop up from time to time.  Hell, they’re making a Power Rangers movie, so why not a Goosebumps creature feature (which will hopefully be followed by an Are you Afraid of the Dark reboot)?  The trailers for this were pretty bad though with Jack Black doing his usual shtick, which I tend to like but can also be way overdone, and a story that feels like it’s been pulled right out of the hack’s guide for easy movie adaptations.  So does this turn out to be a Halloween kid’s classic like Monster Squad or Hotel Transylvania, or is this another marketing exercise gone horribly wrong like The Smurfs or Alvin and the Chipmunks?  Let’s find out!!

The movie is about “young” Zach (Dylan Minnette) and his mother who have just moved to Derry Maine… no wait, Madison Delaware.  They’ve just moved from New York so that his mother can be the principal of the local high school that he will be attending which I guess is embarrassing or something.  Anyway, Zach’s neighbor is a reclusive dude (Jack Black) living with his daughter Hannah (Odeya Rush) and the both of them seem rather strange.  He and his new friends Champ (Ryan Lee) eventually find out that the mysterious dude is legendary writer RL Stine and that his original manuscripts contain all the monsters he has ever written about.  They find this out to late however as some of the monsters have escaped including one who seems to be pulling the strings as it were.  Can Zach, Champ, Hannah, and Mr. Stine stop these creatures from destroying the town?  Will Zach win the heart of Hannah because every movie has to have that subplot?  Can this please be a hit if for no other reason than to get Jack Black enough clout to try and make a Tenacious D sequel!?

“We’re gonna call it… The PICKS of Destiny!  See, it’s a sequel… so now there are TWO picks!”
“We’re gonna call it… The PICKS of Destiny!  See, it’s a sequel… so now there are TWO picks!”

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Cinema Dispatch: Crimson Peak

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Crimson Peak and all the images you see in this review are owned by Universal Pictures

Directed by Guillermo del Toro

Well at least SOMEONE decided to release a horror movie in October!  Seriously, why don’t we get horror movies during Spooky Month anymore?  Is it too obvious or something?  Well NOTHING’S too obvious for good old Guillermo Del Toro who’s bringing us a good old late Victorian era Haunted House feature that might as well come straight from Hammer Studios!  Can his Spook House thriller bring some life back to the genre which has been surviving off of found footage scraps for years now, or is he going to indulge way too much in what he loves to see to the point that he ends up only appealing to a niche audience with his big budget feature?  Let’s find out!!

The movie is about Edith Cushing (Mia Wasikowska), an aspiring writer of ghost stories who’s having trouble getting her magnum opus published.  Despite being the daughter of a rather wealthy contractor in New York city with plenty of connections, no one seems interested in selling a ghost story written by a female and would rather have her write some tween love story.  I guess ghosts are next on the list for Twilight-ification (if they haven’t been already) but Edith is not willing to compromise on her vision, especially because it comes from a very personal place.  Edith’s mother died when she was fairly young and a couple of days later she was visited by her ghosts.  Now it doesn’t seem like Edith has seen a ghost since then, but that night has stuck with her since then, especially considering that her Ghost Mom could see the future and warned her to be wary of CRIMSON PEAK!!  While struggling with this, her father is visited by a British Baronet named Thomas Sharpe (Tom Hiddleston) who’s trying to get her father to invest in his clay extraction machine while also getting moon eyes for the lovely Edith.  He’s not alone on his journey however and has come to America with his sister Lucille (Jessica Chastain) but all she seems interested in is standing off to the side and giving off bad vibes.  This doesn’t deter the budding romance between Edith and Thomas however and after some horrifying event befalls the young Edith, she leaves the United States and is whisked away by her knight in shining armor to be his bride.  Once at the family home though, it’s clear that there’s MUCH more going on than Thomas led on during their courtship which I think was about a month.  What secrets does the rickety manor have that Thomas and Lucille are trying to hide?  Will Edith’s power to see ghosts come in handy or be a curse that slowly drives her mad?  If we can’t have Silent Hills, is this at least a decent replacement!?

“THE POWER OF CHRIST COMPELS YOU!!”     “Yeah, that ain’t gonna work.”     “Ah hell…”
“THE POWER OF CHRIST COMPELS YOU!!”     “Yeah, that ain’t gonna work.”     “Ah hell…”

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Cinema Dispatch: The Intern

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The Intern and all the images you see in this review are owned by Warner Bros Pictures

Directed by Nancy Meyers

Oh hey!  Robert DeNiro is in yet another a wacky comedy because THAT always works out, right!?  Sure, he was funny in… um… Brazil I think, but for every GOOD comedy he does, he makes a Focker trilogy or Rocky and Bullwinkle to remind you that he CAN be funny but tends not to pick good projects to show it.  Still, there’s no denying that the man is a brilliant actor and he has a strong costar here in the form of Anne Hathaway who’s so good that she managed to be the most memorable aspect of a Batman movie.  Will this be an enjoyable romp with two venerable actors, or will this be yet another embarrassing comedy for two people who you’d think would be above this kind of material?  Let’s find out!!

The movie is about 70 year old Ben Whittaker (Robert De Niro) who’s been retired for quite some time now and is sick to death of it, especially since his wife has recently passed away.  He really doesn’t have anything else that he wants to do with his time and would rather find a way to be useful once again than spend the rest of his life going on vacations and learning Mandarin.  Hope seems to come his way when he finds a flyer for a company that’s looking to bring retired people bring into the workforce as interns.  The company in question, About the Fit, is run by Jules Ostin (Anne Hathaway) and the little startup has skyrocketed beyond her wildest dreams in a very short amount of time.  All is not well though as some people at the company are wondering if she can handle everything now that the company has become such a hit.  Will Ben finally find a passion for life again now that he has something to challenge him? Will Jules be able to manage her life as the CEO of this fashion retailer while still making time for her family?  Will these two get into all sorts of hijinks because old people and young people working together is apparently a GOLD MINE for comedy!?

Fist bumps?  But that’s what young people do!!
Fist bumps?  But that’s what young people do!!

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Cinema Dispatch: The Walk

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The Walk and all the images you see in this review are owned by TriStar Pictures

Directed by Robert Zemeckis

I thought I was done with the biopics!  HOW MANY MORE MUST I SIT THROUGH THIS YEAR!?  Oh wait.  This is based off the story that they did a really cool documentary of already?  Wait, it’s also directed by Robert Zemeckis and stars Joseph Gordon-Levitt?  Well when you put it that way, this might end up being one of the better ones this year!  Right up there with Straight Outta Compton if we’re lucky!  If nothing else, every resource you can imagine to make this into a great film is there (great story, great director, great actor) and all they need to do is put it together into a strong and compelling narrative that gets across what made this story so fascinating to begin with.  Can Zemeckis work his magic to give us yet another masterpiece to put alongside his other great films, or will this end up being a lesser version of the great documentary that we got less than a decade ago?  Let’s find out!!

The movie is a dramatization of the events that led up to Philippe Petite and his friends tying a wire between the two towers of the World Trade Center that he walked on for forty-five minutes in August of 1974.  Along with the recreation of the night leading up to it and the day of the walk, we also get some backstory for Philippe (Joseph Gordon-Levitt) who started tightrope walking at a young age and eventually became a street performer in Paris.  There’s not much of a revelation for this guy that led to him decoding to walk between the towers.  He saw an article about its construction in a magazine (while waiting to see a dentist) and just decided that that would be a worthy challenge for his skills and would be a great artistic statement.  This is no small endeavor mind you and Philippe doesn’t waste what time he has before the towers are complete.  He goes back to his mentor Papa Rudy (Ben Kingsley) and learns as much as he can to perfect his craft as well as gathering accomplices to assist him in setting up the tightrope on the day they set the plan into motion.  Will the group be able to get to the top of the tower and set everything up before they get caught by police?  Will Philippe accomplish his dream which boarders on madness?  Well this IS a true story so you may already know what happens… but can Robert Zemeckis make you care anyway!?

“Don’t look down.  Don’t look down.  Don’t look down…”
“Don’t look down.  Don’t look down.  Don’t look down…”

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Cinema Dispatch: Pan

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Pan and all the images you see in this review are owned by Warner Bros Pictures

Directed by Joe Wright

Raise your hand if you were dying to hear the untold story of how Peter Pan got to Neverland?  Anyone?  So who exactly is this movie for!?  Well I guess we’re about to find out because after MONTHS of having to see that trailer, the movie is finally in theaters!  Will it be yet another prequel that fails to bring anything new to the table and is soon forgotten, or is it unlike pretty much every other prequel ever made?  Let’s find out!!

The movie is about young Peter (Levi Miller) who’s stuck in a British Orphanage during World War Two who as you’d expect is a precocious brat who doesn’t take well to authorities.  The orphanage is run by a corrupt nun who reminds me of the Trunchbull from Matilda (except she’s far less likeable) and it seems that she has a side business going where she sells the orphans to space pirates for profit and so that she can keep their rations all to herself.  I’m sorry, what?

“Mother Superior!  There are clowns and drag queens taking us away!!”     “GO BACK TO SLEEP GOD DAMN IT!!!!”
“Mother Superior!  There are clowns and drag queens taking us away!!”     “GO BACK TO SLEEP GOD DAMN IT!!!!”

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Cinema Dispatch: The Martian

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The Martian and all the images you see in this review are owned by 20th Century Fox

Directed by Ridley Scott

Oh yay!  Another Ridley Scott film, because the last one was so good.  Well despite his shaky track record as of late, there’s no denying that the man is one of our greatest living directors and a movie like this is right in his wheelhouse while also being an original science fiction property as opposed to going back to the Alien well.  Can he manage to make a great movie with so many excellent resources at his disposal, or will he still manage to screw it up like he did with Exodus and Robin Hood?  Let’s find out!!

The movie is about astronaut Mark Watney (Matt Damon) who is part of the Ares III manned mission to Mars.  While on the planet’s surface, the crew gets word of a big ass storm coming their way so they have to leave the mission early, and by early I mean RIGHT THE FRAK NOW!!  Apparently they didn’t see it coming until five minutes before it hits.  The astronauts on the planet (including Mark) try to make it to their recon ship in the midst of the downpour of… whatever the hell it is Mars starts raining down in a storm (rocks I think).

“I think I’ve got a rock in my shoe.”     “DEAL WITH IT!!!”
“I think I’ve got a rock in my shoe.”     “DEAL WITH IT!!!”

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Cinema Dispatch: Sicario

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Sicario and all the images you see in this review are owned by Lionsgate

Directed by Denis Villeneuve

Isn’t it great to that we start getting GOOD movies again?  I mean sure, Black Mass had its problems but compared to some of the crap I had to sit through in the last two months, it was practically Kubrick.  Now we’re getting this movie AND The Martian in the same week without a single bible thumping propaganda piece in sight!  Does this tale about government agencies working against the Cartel manage to be one of the better films of the year, or is a disappointing procedural that will get lost in the shuffle by the time the Oscars roll around?  Let’s find out!!

The movie is about Kate Macer (Emily Blunt) who’s head of some sort of tactical response team in the FBI stumbles across a horrifying crime scene during one of her missions where the Cartel has apparently been burying people they kill in the walls of the building.  Okay… well it gets even worse when the team accidently sets off a trap bomb that may have killed any remaining hostages that the team thought were on the premises.  Despite the awful day she had, the silver lining comes in when she catches the attention of Matt Graver (Josh Brolin) who offers her a chance to work with him on more direct missions against the Cartel.  She agrees to go with him and meets with Alejandro (Benicio Del Toro) who’s a complete mystery and may not even be working for the United States in any sort of official capacity.  Still, he proves to be very effective in the line of duty as he and Matt (along with Kate who’s still adjusting to their methods) work on operations that will definitely cut the Cartel’s legs out from under them.  Still, she has her reservations to the actions they take and once her partner from the tactical response team Reggie Wayne (Daniel Kaluuya) gets in on it to, it’s clear that her conscious is getting the better of her and that Matt and Alejandro aren’t exactly who they seem to be.  Will Kate decide that their methods, while unorthodox, are necessary for the war they’re trying to fight, or will she not allow herself to go through the mental hoops necessary to somehow justify their actions and her own?

“Maybe we shouldn’t be rolling into foreign countries to take their citizens while carrying high powered weaponry.  Then again, SCREW THESE CARTEL ASSHOLES!!  BANG BANG BANG!!!”
“Maybe we shouldn’t be rolling into foreign countries to take their citizens while carrying high powered weaponry.  Then again, SCREW THESE CARTEL ASSHOLES!!  BANG BANG BANG!!!”

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Cinema Dispatch: The Green Inferno

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The Green Inferno and the slightly edited poster in this review are owned by Universal Pictures

Directed by Eli Roth

Green Inferno may be the worst movie that I have ever seen in my life. I’m never felt so emotionally drained and damaged coming out of a movie. I don’t know who the target audience is for this movie, but I do hope that they don’t like this movie either because I just can’t see the appeal of this outside of some really cynical theories.  Is it that people just want blood and guts?  Well I like blood and guts too, but I certainly didn’t like it in here.  Is it the fact that everyone in the movie is either a terrified victim or an irredeemable monster?  I’ve seen lots of horror movies where that’s the case, and while I think the genre needs to outgrow that dynamic (it’s boring more than anything else) it was done to a level here that feels damn near pornographic or, perhaps more appropriately, sadistic.

I regret that tweet a bit.  I doubt that Eli Roth hates you or anyone else.
I regret that tweet a bit.  I doubt that Eli Roth hates you or anyone else.

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Cinema Dispatch: Hotel Transylvania 2

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Hotel Transylvania 2 and all the images you see in this review are owned by Columbia Pictures

Directed by Genndy Tartakovsky

Does anyone else remember just how amazing it was that the first movie was in fact as good as it was?  The movie had been in production since 2006 and had five directors attached to it before finally settling on Genndy Tartakovsky who by all means is an accomplished animator but had never directed a feature film.  Not only that, but Adam Sandler was (and continues to be) a joke for a lot of people and his movie in the last decade or so have been absolutely abysmal.  Despite all that, Hotel Transylvania was not only good but one of the best animated films in a long time.  Now it’s time for Sony to start franchising this sucker with a sequel, but they seem to be doing it the right way by not only getting back the original director but the same writers as well.  Will this somehow manage to be one of the few animated sequels to be just as good if not better than the original, or will they throw out everything that was great about the first film just to milk a couple more dollars out of this series?  Let’s find out!!

After the events of the first movie, Mavis and Jonathan (Selena Gomez and Andy Samberg) start dating and eventually get married in the titular hotel.  Their whirlwind love affair eventually leads to her getting pregnant and giving birth to their son Dennis whom Dracula (Adam Sandler) starts to obsess over because now he has a new outlet for the overprotective behavior he struggled to overcome in the last film.  Unfortunately, like in the first movie, there comes a point where his paternal usefulness may be coming to an end with Mavis thinking that it may be too dangerous for them to stay at the hotel since young Dennis has yet to show any signs of being anything other than human, and in the Lore of this universe if he doesn’t show any signs by his fifth birthday (which is rapidly approaching), he’ll be a human forever.  Dracula, being the crafty bastard that is, enlists Jonathan’s help (who wants to stay at the hotel) to keep Mavis distracted while he and his friends try to force the vampirism into his grandson by taking him on the night of professional scaring.  I wouldn’t think that biology could be affected by cultural immersion but whatever.  So Jonathan and Mavis are off to visit his family in California for some marital R&R (and to see if the place would be a good fit for their family), while the old school monsters are trying their best to not only get this kid to grow his fangs but to recapture a bit of their youthful exuberance as they revisit their familiar haunts from when they were the scourge of humanity which may be a bit more difficult than they were expecting now the humans have learned about monsters and are (tentatively) accepting them.

Some seem to be adjusting better than others.
Some seem to be adjusting better than others.

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