Cinema Dispatch: Victor Frankenstein

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Victor Frankenstein and all the images you see in this review are owned by 20th Century Fox

Directed by Paul McGuigan

Does anyone even remember when the last good Frankenstein movie was?  Can Reanimator REALLY be the last one of these movies to get the formula right!?  Well at least this movie isn’t trying so hard to make a faithful adaptation of the Mary Shelly story like Kenneth Branagh did, but is instead going after Young Frankenstein’s crown by practically making a spoof out of the whole thing.  Geez, if making a good Frankenstein movie was a herculean task, then making a good Young Frankenstein movie must be a Sisyphean one.  Still, the trailers really sold this as a fun throwback to old school horror schlock and it has two really talented actors who aren’t afraid to ham it up when appropriate.  Will this be a fun re-imaging of one of cinema’s oldest stories, or is this yet another terrible interpretation of this story right up there with the abysmal I, Frankenstein?  Let’s find out!!

The movie follows Victor Frankenstein (James McAvoy) and Igor (Daniel Radcliffe), both working together to solve the mysteries of life and to hopefully reanimate a corpse for reasons of SCIENCE.  After breaking Igor out of the circus and fixing his back, they become close friends and Igor’s intelligence about humanity anatomy and medicine (self-taught which makes it more impressive) becomes instrumental to Victor finally having a breakthrough with his research.  Unfortunately, as Victor starts to escalate his experiments, an inspector at Scotland Yard (Andrew Scott) becomes more and more obsessed with stopping the mad man’s machinations before his schemes can come to fruition.  Can Igor and Victor complete they’re greatest work before being shut down by The Man, or has Victor taken things too far?  Will Igor continue to justify the mad doctor’s methods, or will he betray his best friend in hopes that he can be talked down from the brink of insanity?  These two are REALLY close, aren’t they?

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Oh I WISH they’d pull the trigger on that!

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Cinema Dispatch: Secret in Their Eyes

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Secret in Their Eyes and all the images you see in this review are owned by STX Entertainment

Directed by Billy Ray

Does anyone even remember that this movie was supposed to come out?  I remember seeing trailers a LONG time ago but then they just stopped and I haven’t seen one for this in probably four or five months.  Did the studio lose faith in it despite its all-star cast (Chiwetel Ejiofor, Nicole Kidman, and Julia Roberts just to name a few)?  It seems that the Studio is angling for this to be an Oscar type film along the lines of Michael Clayton or LA Confidential based on the trailers we initially got, but maybe something happened between then and now that cause the studio to lose faith in this film’s ability to reach the main stream audience.  Is this a solid thriller that will generate some positive buzz through word of mouth, or are we looking at something that the studio was desperate to bury?  Let’s find out!!

The movie follows Ray (Chiwetel Ejiofor) as he tries to solve the murder of the daughter of his friend Jess (Julia Roberts).  It’s not going all that well considering he’s just getting a breakthrough after thirteen years of diligent work, but at least he has something he can bring to the district attorney Claire (Nicole Kidman).  Now this is where things start to break down so I’ll try to get this story across as best as possible.  Thirteen years ago, Ray was an FBI agent that got transferred to a Los Angeles after 9/11 with a whole bunch of other agents because everyone thought that was where the next attack would be.  One of those agents is Jess who becomes his partner and they become friends along with Bumpy Willis (Dean Norris basically reprising his role as Hank Schrader to the point that they eventually give the dude a cane) and the new Assistant District Attorney Claire.  One day, they find Jess’s daughter dead and bleached in a dumpster outside of a Mosque they’re investigating and it completely destroys Jess.  They have a suspect in some kid named Marzin (Joe Cole) that they’re DAMN sure did it but due to some extenuating circumstances, the head of the LA FBI office (Alfred Molina) doesn’t want to pursue this further.  The kid is actually an informant for the office asshole Reg Seifert (Michael Kelly who’s kind of an American Andrew Scott only less awesome) who is spilling secrets on the mosque which might be harboring a terrorist cell.  That and a general lack of hard evidence means he gets away with the murder and then just disappears soon after.

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“You guys must REALLY suck if you can’t even get ME arrested.”

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Cinema Dispatch: The Night Before

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The Night Before and all the images you see in this review are owned by Columbia Pictures

Directed by Jonathan Levine

Is it too late to declare a war on Christmas?  I don’t mind the holidays, but I’ve also worked in retail so I got a firsthand look at the Christmas calendar creep and how NO ONE likes to push this shit in October, let alone November.  Thankfully they ALMOST waited until December to start throwing out holiday films with last week’s Love the Coopers and now The Night Before.  Unlike that other film though, I was REALLY looking forward to seeing this because I love Seth Rogen and his particular brand of comedy.  Not everything he’s been a part of has been great (I thought The Interview was pretty underwhelming), but I always like to see what he does next which this time seems to be pretending he’s in the same age group as Joseph Gordon-Levitt and Anthony Mackie.  Wait a minute.  HE’S THE YOUNGEST ONE OF THEM!?  Huh.  Learn something new every day.  So will this be the kind of movie to bring out the holiday cheer and break out the eggnog, or will this make everyone feel even Grinch-ier than they already are at this time of the year?  Let’s find out!!

The movie follows the adventures of Ethan, Isaac, and Chris (Joseph Gordon-Levitt, Seth Rogen, and Anthony Mackie) on their last big Christmas Eve together before ending their tradition.  You see, about fifteen years ago Ethan’s parents were killed by a drunk driver right around Christmas time and so his friends decided that they will spend the holidays with him which soon became a tradition.  What also became a tradition is that they would party their ASSES off because they were young when they started it so of course that’s what they ended up doing.  However, it’s been going on for way too long and Isaac and Chris have their own things going on while Ethan is still stuck in place, unable to get his life going.  Still, he agrees to this being the last time they make this a big party event and even has a surprise for his friends that will make this the best one of them all.  There’s a super-secret party that takes place every year (the Nutcracker Ball) that they’ve never had a chance to go to because they could never find out where it was or how to get invitations.  Through sheer luck, Ethan finds three tickets for the damn thing at his shitty job and steals them without a second thought so that he and his friends can have the greatest night of their lives!  Will this final night be all it’s cracked up to be, or are they just too damn old to keep going the way they’ve been going even for one more night?  Will they be able to salvage their friendship despite the changes in their lives that makes it harder for them to find the time?  Wait, how fucking deep is this movie about taking drugs and Christmas shenanigans!?

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WHY ARE THERE FEELS!?!?!?

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Cinema Dispatch: Love the Coopers

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Love the Coopers and all the images you see in this review are owned by CBS Films and Lionsgate

Directed by Jessie Nelson

‘Tis the season for the bold and foolhardy to try and make films that will enter into the catalog of class Christmas movies!  Probably the last one to make the leap to big leagues in regard to enduring Christmas Classics is Love Actually from 2003, but that hasn’t stopped film makers from trying to break into that market which brings us to today’s feature.  Will this movie face this challenge head on and make it through the neigh impossible glass ceiling of beloved Christmas films, or will this be yet another failed attempt to recreate that Christmas magic and will be doomed to the same fate as Four Christmases, Deck the Halls, or god forbid Christmas with the Cranks?  Let’s find out!!

The movie follows the misadventures of several members of the Cooper family on Christmas Eve as everyone is trying to get ready for the family dinner that is to take place later that night.  At the head of the family is Sam and Charlotte Cooper (John Goodman and Diane Keaton) who are trying to keep it together long enough for them to have a happy holiday with the family despite the fact that they plan to get divorced soon after the season ends.  We also have Charlotte’s sister Emma (Marisa Tomei) who’s just a bitter jerk during the holidays (think Marie Schrader from Breaking Bad) and gets caught shoplifting which means she has to get out of it while being driven to the police station by a cop played by Anthony Mackie.  Charlotte and Sam’s kids  are Hank and Eleanor (Ed Helms and Olivia Wilde) who have their own problems to deal with as the former just recently got divorced and then fired from his job while the later… just doesn’t like coming home for the holidays and is procrastinating in an airport with a solider she just met (Jake Lacy).  There are other members of the family such as, Bucky Cooper (Alan Arkin) who’s hanging around the fringe of everyone’s story but also has his own thing going on with a waitress in a diner played by Amanda Seyfried, and Aunt Fishy (June Squibb) who’s basically playing a female version of Grandpa Simpson.  With all these characters dealing with their problems during the most stressful time of the year, will they somehow manage to have a happy Christmas, or will this end in total disaster?  Can this movie manage to juggle all these subplots without feeling like a poorly paced mess?  Okay, seriously.  Can’t we just watch Love Actually instead?

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“We’re gonna get through this. Just grin and bear it for a little bit longer.”

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Cinema Dispatch: The Peanuts Movie

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The Peanuts Movie and all the images you see in this review are owned by 20th Century Fox

Directed by Steve Martino

At the very least, this movie couldn’t have asked for a better time to come out.  Jem and the Holograms bombed both financially and critically only a month ago, so this being the next adaptation of a beloved franchise aimed at children is going to have some favorable comparisons.  Still, even early on there was a lot to look forward to here.  Once they revealed the artwork and animation style that would be used to bring this classic series to life, it got people very excited at the prospect of another Peanuts movie.  Does this manage to live up to the expectations that the trailers gave us, or will this be yet another failed attempt to capitalize on a well-known brand?  Let’s find out!!

The movie is about that eternally put upon optimist, Charlie “Good Grief” Brown!  It’s not an origin story so this is taking place at pretty much any time in the continuity where everyone is well aware of Charlie Brown and what a boob he is.  In fact, it’s being going on so long that the prospect of a new kid moving to town fills him with joy due to the fact that he finally has a chance to make a good impression on someone before they find out what a loser he is.  The new kid in question is the Little Red-Haired Girl who he ends up falling head of heels in love with immediately but this also adds much more anxiety to his already anxious and downtrodden existence.  He’s certain that the moment he opens his mouth to her that he’ll reveal himself as a dud so he resolves to make himself a better person beforehand!  Can Charlie Brown reach his self-improvement goals before the end of the school year?  Will he ever build up the confidence to talk to the girl of his dreams?  Wait, isn’t this the same plot as The 40-Year-Old Virgin?

“You know when you feel it, and it feels like a bag of sand…”     “That’s not sand you block head!  They fill hacky sacks with rice or plastic beads!  NOT SAND!!”
“You know when you feel it, and it feels like a bag of sand…”     “That’s not sand you block head!  They fill hacky sacks with rice or plastic beads!  NOT SAND!!”

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Cinema Dispatch: Spectre

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Spectre and all the images you see in this review are owned by Metro-Goldwyn-Mayer Pictures and Columbia Pictures

Directed by Sam Mendes

Has it really been three years since Skyfall!?  That movie was absolutely fantastic, wasn’t it?  Well now the same crew (minus Roger Deakins) is back to give us the next entry in the James Bond franchise!  Will they be able to make another fantastic entry in the long running franchise, or will this fail to live up to the massive expectations that Skyfall left us with?  Let’s find out!!

As expected, the movie is about the lovable spy James Bond (Daniel Craig) and his latest efforts to find the mysterious organization that’s been hunting him and causing chaos from behind the shadows!  I though they already figured out it was Quantum, but whatever.  After a VERY explosive mission in Mexico, he’s one step closer to finding this evil organization but problems arise when it turns out he went out on his own without MI6 approval.  This is particularly troubling for the organization (and M played by Ralph Fiennes) due to the government still wanting to shut them down which you may recall being a subplot in the previous film.  In its place, the government wants to establish a worldwide surveillance program that’s being headed up by Max Denbigh (Andrew Scott) who seems just a bit too eager to get Bond out the way.  Bond once again goes out on his own (has he listened to anyone since maybe Casino Royale?) to follow up on his leads to find whoever it is that’s pulling the strings behind recent events and is probably controlling Quantum, though that’s still a bit unclear.  Will Bond discover what this organization is that they spoil in the title?  Will he find the mastermind behind this (Christoph Waltz) who we’ve been told is NOT Blowfeld but who the hell else would be the head of Spectre?  Will James Bond finally get to the bottom of something without having to kill every lead he has!?  It’s probably gonna be a no on that last one.

“RUNNING!  RUNNING!  RUNNING!  RUNNING!!!!!!!!”
“RUNNING!  RUNNING!  RUNNING!  RUNNING!!!!!!!!”

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Cinema Dispatch: Our Brand Is Crisis

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Our Brand Is Crisis and all the images you see in this review are owned by Warner Bros Pictures

Directed by David Gordon Green

I’m pretty sure I saw a trailer for this before every single movie in the last four or five months.  Now that we finally get a chance to see this political dramedy about campaign management, does it actually turn out to be any good?  Well this is basically a hodgepodge of people we like but who don’t always make the best career choices, such as Sandra Bullock, Billy Bob Thornton, David Gordon Green as the director, and even George Clooney who’s producing this and will sometimes have a misstep.  Will this be another great film from people we know can make great movies, or is this gonna be one big disaster that we only sometimes expect from them?  Let’s find out!!

The movie follows Sandra Bullock as Jane (colloquially known as Calamity Jane) who was at one time the best campaign manager in the United States.  She won many elections in her career but along the way she developed a drug habit and became an alcoholic to the point that she started to become a laughing stock in her field and eventually checked into the Betty Ford clinic.  The movie picks up several years later and she’s spent the intervening time alone in the woods in exile or something until two campaign managers Ben and Nell (Anthony Mackie and Ann Dowd) who are working on a campaign in Bolivia and are so far behind that they’re desperate enough to try and call Jane out of retirement.  When she finds out that their opponent is being managed by her rival Pat Candy (Billy Bob Thornton) she agrees to go there and help out, but is quickly unimpressed by what she finds.  A candidate who seems checked out and disinterested, a staff composed of idiots who can’t even speak Spanish, and polls that put the guy over twenty points behind their opposition.  Can Jane get back into the swing of things and whip this campaign into shape, or will she end up losing herself again throughout this whole ordeal!?

“What do you think our chances are?”     “Honestly?  I think Rick Santorum had a better chance of winning the presidency.”     “2012 Santorum, or 2016 Santorum?”     “Does it matter?”     “I guess not.”
“What do you think our chances are?”     “Honestly?  I think Rick Santorum had a better chance of winning the presidency.”     “2012 Santorum, or 2016 Santorum?”     “Does it matter?”     “I guess not.”

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Cinema Dispatch: Burnt

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Burnt and all the images you see in this review are owned by The Weinstein Company

Directed by John Wells

Is Bradley Cooper going to be the next Leonardo DiCaprio?  Seriously, the guy has been nominated THRICE for best actor, and lost it every time!  Well after the overwhelming success that was American Sniper, the man is back to star in a movie about a guy who’s probably just as intense!  Will Mr. Cooper’s foray into food porn and Gordon Ramsey mimicry be just what he needs to clench that Oscar gold that he has been denied for the last three years, or is this yet another missed opportunity for one of Hollywood’s most prominent actors?  Let’s find out!!

The movie follows the world renowned chef Adam Jones (Bradley Cooper) who is getting back into the game after completely flaming out a couple of years back.  The movie isn’t too specific about how he lost everything other than it involved drugs, but he’s been clean for quite some time now and is ready to claw his way back up the ladder.  Well… by climb his way up, I mean he bullies a friend of his Tony (Daniel Bruhl) into making him head chef of his already prestigious restaurant, but that’s beside the point!  He’s getting back some old friends like Michel (Omar Sy) who he screwed over in the past and wants to make amends with and Max (Riccardo Scamarcio) who just got out of jail for… something.  It probably involved beating someone up over food.  On top of his old friends who he’s getting to work in his new kitchen, he also has some new talent like David (Sam Keeley) who’s about as naïve as he is talented and Helene (Sienna Miller) who’s as stubborn as she is talented.  With this ragtag group of super chefs, Adam plans to prove himself as one of the world’s greatest chefs by winning a prestigious award (three stars in the Michelin Guide book) which has already been won by his rival Reece (Matthew Rhys).  Will Adam achieve his goal and finally find redemption for his past transgressions, or has he made too many mistakes that he needs to make up for first?  What else must he struggle to learn on the road to recovery?  Will Bradley Cooper finally get that Oscar he’s been looking for!?

“If this doesn’t work, I’m doing like five World War two films in a row.”
“If this doesn’t work, I’m doing like five World War two films in a row.”

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Cinema Dispatch: Bridge of Spies

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Bridge of Spies and all the images you see in this review are owned by Walt Disney Studios and 20th Century Fox

Directed by Steven Spielberg

We’re well into the Oscar season by this point, but now it’s time for the BIG guns to strut their stuff, and you can’t get any bigger the Steven Spielberg!!  It also seems that he’s found a niche that he’s starting to get comfortable with considering this is his second historical film based on a bunch of lawyers and politicians arguing during a very contentious time in our country’s history.  Does Spielberg remind us once again why he’s one of Hollywood’s greatest living directors, or will this be one of those lesser films he makes that we’ll all forget about as soon as his next film is made?  Let’s find out!!

The movie begins in 1957 with the arrest of Soviet Spy Rudolf Abel (Mark Rylance) and the media storm that surrounded it.  When it comes time to actually try the bastard, the US government hires a law firm to represent Rudolf so that at least it can APPEAR to be a legit trial instead of a kangaroo court.  Unfortunately for everyone, the man the law firm assigns to the case is James B Donovan (Tom Hanks) who actually believes in the constitution and won’t just let the legal system run all over this guy.  For doing the right thing, he ends up drawing unwanted attention from hot heads looking to see some Soviet scumbag hang as well as the ire of the FBI who want him to tell them everything that Rudolph has said in their meetings which would obviously be a breach of attorney client privilege.  While this is going on, we occasionally cut to Francis Gary Powers (Austin Stonewall) who is a US solider training to be a spy and will one day fly a stealth plane of USSR territories to take covert pictures.  Will fate conspire to put him in a similar situation as Rudolph Abel finds himself now?  What kinds of consequences will James incur for himself, his law firm, and his family for simply believing in and fighting for what the constitution guarantees?  Just how many awards will Spielberg win for directing a period piece political thriller starring Tom Hanks!?  Like… fifty?

“I’m willing to talk Mr. Spielberg down to forty-eight, but you need to guarantee us best picture first.”
“I’m willing to talk Mr. Spielberg down to forty-eight, but you need to guarantee us best picture first.”

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Cinema Dispatch: Jem and the Holograms

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Jem and the Holograms and all the images you see in this review are owned by Universal Pictures

Directed by Jon M Chu

We all saw the trailer and most of us had one reaction which was to try and repress our gag reflexes.  It just seemed like a really poor adaptation of a cartoon that probably means a lot for many people and a much lesser version of what we’re currently getting from the IDW comics.  Still, trailers aren’t always accurate in showing what a movie will ultimately be, and the director is someone I think has quite a bit of talent.  Can they manage to make something at least half way decent of a series that’s ripe for an updated adaptation?   Yeah… no.  It’s not good at all.  Just how bad did they screw this up?  Let’s find out!!

The movie follows Jerrica Benton (Aubrey Peeples)  who lives with her aunt (Molly Ringwald), her sister Kimber (Stefanie Scott), and her two foster sisters Shana and Aja (Aurora Perrineau and Hayley Kiyoko).  Her father died some time ago which is why she and Kimberly are living with Claire Standish and her the other two and the only thing he seems to have left (the guy most not have had insurance) is a non-functioning robot he made and a pair of ear rings that sadly don’t do what you think they should do.  All is not good at the house Pretty in Pink bought however, because the bank is foreclosing on them for… some reason, and Jerrica finds out about it.  In what I guess is either a despite move to get internet famous or an outlet of her frustration, she puts on a bunch of make, hides in the shadows, and films herself singing a song she wrote.  She’s too afraid to post it online because they had to put in at least SOMETHING Jem related (Jerrica’s fear of performing) but Kimber ends up getting a hold of it puts it online.  Sure enough, a poorly filmed video of a girl singing while strumming an acoustic guitar becomes the next big YouTube sensation and everyone is instantly in love with whoever this Jem is.  In comes the EVIL head of Starlight Records Erica Raymond (Juliette Lewis playing a gender swapped version of Eric Raymond) to offer Jem a deal with her label.  She eventually agrees, gets her siblings to go along with her (not the Aunt because who needs adult supervision these days?) and they begin their journey to super stardom with all its ups and downs, betrayals and reconciliations, romances with hot dudes, and everything else you’ve seen before.  Oh, and the robot’s name is Synergy and it’s doing… something.  Whatever.  OH!  And Rio is actually Erica’s son.  Because why not.

“This is REALLY gonna suck, isn’t it?”
“This is REALLY gonna suck, isn’t it?”

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