Cinema Dispatch: Mission: Impossible – Fallout

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Mission: Impossible – Fallout and all the images you see in this review are owned by Paramount Pictures

Directed by Christopher McQuarrie

Is it just me, or does it feel like a REALLY long time since the last one?  I don’t remember much about Rogue Nation except that I didn’t particularly like it (mostly due to how much I DID like Ghost Protocol), but that’s all in the past!  It’s time for Ethan Hun to go on a NEW mission and prove once again that Tom Cruise is a box office draw!  Well… most of the time at least (*cough* The Mummy *cough*), but hey!  At least they brought Superman in for this adventure!  This movie by the way is the reason Henry Cavill couldn’t shave his facial hair for the Justice League reshoots which led to the weird CG face issues, so if nothing else this movie deserves SOME credit for making that movie that much more hilarious!  Does this franchise manage to keep the momentum going for one more outing, or is the impossible mission now to keep audiences interest for yet entry?  Let’s find out!!

The movie begins with Ethan Hunt (Tom Cruise) receiving a mission that, should he choose to accept it, could save the entire world for at least the sixth time but that the US government would obviously disavow if he got caught or murdered.  You know, you’d think that there might be some underlying geopolitical issues that could use some resolving if the US Government had to constantly send this dude on impossible missions that they couldn’t POSSIBLY claim to be a party to, but I guess a stable foreign policy doesn’t make for a particularly interesting spy film.  Anyway, it turns out that Solomon Lane (Same Harris) from the LAST movie had a whole bunch of followers known as THE APOSTLES who are wreaking hell all over the world and even created an outbreak of Smallpox in Kashmir seemingly for shits and giggles.  Their biggest plan yet is to get their hands on stolen Plutonium so they can make nuclear bombs, and while Ethan gets REALLY close to recovering them he ends up dropping the ball when his teammates Benji (Simon Pegg) and Luther (Ving Rhames) almost get caught in the crossfire.  Determined to fix his mistakes, he’s assigned to go after a black market merchant known as THE WHITE WIDOW (Vanessa Kirby) who can broker a deal between the Apostles and a world famous terrorist that Ethan will pretend to be for the Plutonium.  Get Solomon Lane out of jail, and he gets the Plutonium.  Complicating matters are the Director of the CIA Erica Sloane (Angela Bassett) and her right hand man August (Henry Cavill) who don’t trust Ethan not to screw this up again, and even Ilsa Faust (Rebecca Ferguson) who’s back in the picture but is once again not easily classified as a friend or foe in this situation.  Will Ethan be able to get the Plutonium back before the Apostles blow the heck out of city and start World War III?  Can Ethan just hand over such a dangerous terrorist in order to stop nuclear war, or could Solomon be planning something even worse?  Just how many ridiculous stunts can they convince Tom Cruise to do by telling him how youthful it makes him look!?

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“Let’s get his clone on standby just in case.  YOU’RE DOING GREAT, TOM!!”

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Cinema Dispatch: Blindspotting

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Blindspotting and all the images you see in this review are owned by Lionsgate

Directed by Carlos López Estrada

I get the feeling that as long as THE SCROTUS is in power along with his horrible lackeys doing his bidding, we’ll be getting more movies like this that take social issues head on; not that these stories weren’t worth telling in the first place, rather that studios seem to have realized that capitalizing on the political zeitgeist is potentially profitable and may even earn some prestige awards as well.  Capitalism in effect I guess, and while there’s no real excuse for films like this NOT being prominent despite the problems it deals with being real and prescient for so many people, I guess it’s better that we’re NOW getting these movies in much wider releases than not getting them at all.  This by the way can easily swing in the other direction if we don’t turn things around soon and the powers that be try that much harder to silence dissent (#RehireJamesGun), so don’t give me that SUFFERING AND SOCIETAL ILLS MAKES GOOD ART crap; especially when said is often more accessible to those who aren’t suffering.  Anyway, with this movie and Sorry to Bother You coming out so close to each other, will this turn out to be the best time of the year to see thoughtful and brilliant movies about the world around us, or will this turn out to be a far less thoughtful and engaging alternative?  Let’s find out!!

Colin (Daveed Diggs) is just three days away from probation retirement and managed to get through most of it without much complication.  Sure his friend Miles (Rafael Casal) likes to indulge every once in a while with illegal gun sales and fist fights every once in a while, but Colin has managed to keep him from getting TOO out of hand and both of them out of trouble.  Now that we’re down to the wire though, things are starting to get tense with Colin having to figure out where he stands with the people in his life as soon as he’s free, and how much Oakland is changing due to gentrification and an influx of white hipsters; something that’s been setting Miles more and more off as time has gone by.  To top things off, while driving back to the halfway house to make curfew, Colin sees a cop (Ethan Embry) shoot an unarmed black man (Travis Parker) in the back.  Naturally the cop is hailed as a hero in the media, but Colin knows the truth and the world seems to have shifted just a little bit after such a blatant act of unwarranted violence has struck his community.  Can Colin make it to the end of his probation without rocking the boat, or will he be forced to do something and risk his freedom in the process?  Will Miles learn to live with a changing world; especially since he has a wife and kid (Jasmine Cephas Jones and Ziggy Baitinger) who depend on him?  You’d think that if you’re three days away from ANYTHING ending that you’d just lock yourself in your room until it’s over; just to be on the safe side!

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“If anyone asks, just say they’re mine.”     “Even if we try that, they’re STILL gonna shoot us you know!”

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Cinema Dispatch: Teen Titans Go! To the Movies

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Teen Titans Go! To the Movies and all the images you see in this review are owned by Warner Bros Pictures

Directed by Peter Rida Michail and Aaron Horvath

I’ll admit that I, like many fans of the first show (i.e. OLD PEOPLE), tended to be rather dismissive of Go for amping up the comedy and more or less abandoning the action and drama in doing so; but that said I also didn’t outright hate it or ever have the urge to complain loudly and publicly about it.  Still, now that the Titans trailer has given me a bit of perspective, I feel kind of bad about not really giving it the time of day and plan on rectifying that soon.  Before that though, we’ve got a movie to see which couldn’t be further in terms of tone and style than its TV-MA counterpart and frankly that’s about all I need to more or less give this movie a pass.  Hopefully it’s good movie as well, but considering I didn’t see Robin snapping necks and covered in blood in the trailers for this, I think it clearly has the upper hand.  Will the jump to from television to feature films silence the haters once and for all who complained that this interpretation of the characters wasn’t just like the one they had when THEY were kids, or is this yet another show that didn’t need the big screen treatment and will be yet another cudgel to be wielded by rather obnoxious fanboys?  Let’s find out!!

The movie begins with the Teen Titans, made up of Robin, Cyborg, Starfire, Raven, and Beast Boy (Scott Menville, Khary Payton, Hynden Walch, Tara Strong, and Greg Cipes), putting bad guys on the run and not stopping until the job gets done… at least until they find an excuse to dance at which point the Justice League has to come in and clean up after them.  Well that’s not TOO bad!  They got a few hits in before getting distracted by their own theme song, and it means they get a chance to chat it up with Green Lantern, Wonder Woman, and even Superman (Lil Yachty, Ashley “Halsey” Frangipane, and Nicolas Cage)!  Not Batman though (Jimmy Kimmel) as he’s attending the premier of his latest movie which is NOT directed by Matt Reeves; rather by an up and coming star director named Jade Wilson (Kristen Bell).  Wait a minute, movie premiere!?  Why didn’t anyone tell the Teen Titans!?  Furthermore, why haven’t THEY gotten their own movie!?  These are questions that Robin in particular doesn’t like being raised, and so he vows to get his own movie by any means necessary!  Up to and including finding an arch villain for the Teen Titans to face which will surely get Jade Wilson’s attention and convince her to give them a shot at the silver screen!  Good thing it just so happens that a villain known simply as SLADE (Will Arnett) who is most assuredly NOT Deathstroke (that name is FAR too scary!) is cooking up some scheme and can only be stopped by this group of teenagers with attitude!  Can the Titans find a way to stop Slade AND get their own movie in the process?  Just how far will Robin go to get his chance, and will his friends be the ones to suffer in the process?   Can I just say that SLADE is a better bad guy name than Deathstroke?  SLADE!!  SLLAAAAAADDDDEEE!!

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This guy gets it!

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Cinema Dispatch: Unfriended: Dark Web

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Unfriended: Dark Web and all the images you see in this review are owned by OTL Releasing and BH Tilt

Directed by Stephen Susco

Somehow this ended up being a week where the three big movies coming out (this, Mama Mia: Here We Go Again, and The Equalizer 2) are all sequels to movies I’ve never seen, and I try not to avoid them if they’re direct sequels or prequels as the lack of context can make it hard to really judge a movie on its merits.  Sure I’ve made exceptions in the past like Barbershop: The Next Cut, but I’ve got enough on my plate as it is to try and catch up on EVERY franchise out there (unless of course it’s the Fast and the Furious which I did binge watch all seven movies before seeing Fate of the Furious), so I just leave those ones up to the other critics.  However, when it comes to sequels like THIS movie which seem to have nothing to do with the original and are mostly just using the name or premise, I’m fine with giving it a shot and looking at it as its own thing.  Heck, I was downright intrigued by this film since it looks like they fixed the main reason I avoided the first one (i.e. there being a GHOST IN THE COMPUTER) and replaced with something at least a LITTLE more grounded!  Does this manage to live up to its premise in ways that the first film didn’t sell me on, or was that the least of this franchise’s problems before I decided to jump onboard?  Let’s find out!!

The movie starts with Matias (Colin Woodell) booting up his new laptop and installing one of his own programs on the hard drive; namely a program designed to parse speech and then translate it into American Sign Language.  This is great because his girlfriend Amaya (Stephanie Nogueras) is deaf and it will make it that much easier for them to communicate, right?  Well… not quite.  It seems that there’s some tension between the two of them that Matias is gonna have to figure out, but let’s worry about that later!  After all, it’s game night!  Matias’s friends Nari, Serena, Damon, AJ, and Lexx (Betty Gabriel, Rebecca Rittenhouse, Andrew Lees, Connor Del Rio, and Savira Windyani) join with him on a skype call and they start to play Cards Against Humanity in a blatant show of product placement while Matias checks the hard drive of his new computer.  As he looks through it though, it’s clear that the previous owner was into some shady stuff and Matias PROBABLY shouldn’t have… ahem, GOTTEN this computer from somewhere.  These sketchy documents and video files would be bad enough, but it looks like the computer owner (going by the name Charon IV) has found Matias through Facebook and is REALLY determined to get his property back; even if it means hurting someone he loves in the process, like say… oh I don’t know… Amaya?  Okay, but this isn’t THAT out of hand!  All he has to do is give it back, right!?  Well… easier said than done.  Charon IV (Douglas Tait) is willing to do a trade, but Matias has seen too much and will surely get the attention of Charon IV’s friends if he’s not careful which can only make things worse and could put the rest of his friends in danger as well.  What nightmares will Matias find on the computer, and is there anything he can do to stop these people?  Cab Matias outsmart Charon IV and his friends just long enough to save him and his friends this night?  What kind of self-respecting hacker uses a Macbook with OSX on it!?  Not even with a Dual Boot to Linux!?

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“Would you like to import your SNUFF FILMS into iTunes?”     “NO!”     “Importing SNUFF FILMS into iTunes.”     “DANG IT!!”

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Cinema Dispatch: Sorry to Bother You

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Sorry to Bother You and all the images you see in this review are owned by Annapurna Pictures

Directed by Boots Riley

This is a great time of year because once the summer blockbuster season starts to wind down we start to get some really great stuff from the indie scene right before the Prestige Films and the Oscar Bait start to take over the multiplex.  Sure, August is normally considered a dumping ground for mediocre movies (I’m wary about Slenderman to say the least) but that’s more to do with the BIG releases rather than the harder to find stuff in the fancier theaters which is pretty much exactly what we have here today as I had to make a bit of a drive to catch this on the big screen.  Now I’ve been keeping my eye on this film since the trailers started to pop up due to its interesting style and oddly relatable premise, at least from what they were selling us on, and most importantly I could really use something other than super hero flicks and The Rock to fill out my GOOD MOVIES list for this year!  Does this bizarre little story manage to be just as good as I hoped it would be, or was I just too eager to find something new that there was no way it would live up to my expectations?  Wouldn’t be the first time this year (*cough* Thoroughbreds *cough*)!  Anyway, let’s find out!!

Cassius Green (Lakeith Stanfield) is a man just trying to survive day by day and constantly wondering if anything he does will ultimately matter in the grand scheme of things.  After all, once he dies and his theoretical children die and then THEIR theoretical children die, will there be ANYONE left to remember him or the fact that he just barely managed to get a job working as a telemarketer?  His girlfriend Detroit (Tessa Thompson) thinks he’s worrying too much about all that and she’s content to work on her art projects in between gigs as a sign flipper, but with the world slowly going to hell in a handbasket (a new company called WorryFree is basically reintroducing slavery by praying on the impoverished) it all just seems pointless unless he can REALLY start to make some money and find what it is that he’s good at.  As it turns out though, he has a knack for this telemarketing thing once he finds his “white voice” (David Cross) and is on the fast track to being a POWER CALLER which is basically doing the same thing only for more money and selling stuff other than encyclopedias.  However, his rise to the top has some roadblocks along the way as his fellow workers are staging a strike just as he’s about to make it as a POWER CALLER, and said promotion doesn’t come without its own problems and indignities that slowly start to tear at Cassius’s soul and creates a divide between him and Detroit.  Throw in some colorful characters like Squeeze the leader of the telemarketer’s strike (Steven Yeun), Steve Lift the CEO of WorryFree (Armie Hammer) who’s about as big of a douche bag as you’d imagine, and the mysterious Mr. ******* (Omari Hardwick) who represents the future that Cassius has waiting for him if he sticks it out at his new job for just a little bit longer.  Can Cassius find a way to use his talents for massive financial gain without losing his soul in the process?  Just what is WorryFree up to, and how does it connect to this Telemarketing Company as well as Cassius himself?  Is there like a hotline I can call that’ll explain this movie to me, because I feel like I STILL don’t have a clear grasp on what the heck was going on!

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“For plot summary and cast list, press 1.  For thematic elements and symbolism, press 2.  If you still haven’t come to terms with the horrors of Late Stage Capitalism, please stay on the line.”

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Cinema Dispatch: Hotel Transylvania 3: Summer Vacation

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Hotel Transylvania 3: Summer Vacation and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Genndy Tartakovsky

If I was reviewing films back when the first Hotel Transylvania film came out, it would have easily been in the top five films of that year.  Avengers?  Whatever!  Flight?  Forget about it!  21 Jump Street, Prometheus, Skyfall, Chronicle?  Okay, SOME of those might have made it on the list, but Hotel Transylvania was an absolute surprise that I don’t think anyone has really managed to top in regards to its animation and flat out hilarity.  Now that’s not to say that films like Coco, Wreck-It Ralph, and The LEGO Movie aren’t great in their own way, but what Tartakovsky did with Hotel Transylvania was sheer brilliance and just hasn’t been replicated since.  Except for MAYBE The Peanuts Movie which ingeniously recreated the art style in CG, no other film has felt so AUTHENTICALLY cartoonish as this series, and that certainly earns it a massive amount of respect from me even if the sequel was FINE but not up to the first one.  Now that we’re at the third film though with Tartakovsky STILL directing these (wasn’t he supposed to make a film called Can You Imagine, or that new Popeye movie?), so with this film has the spark FINALLY gone out for this franchise or did they fix the mistakes of the sequel to bring something just as fantastic as the first film?  Let’s find out!!

Following the events of Part 2, the titular Hotel Transylvania has been doing well with Count Dracula (Adam Sandler), his daughter Mavis (Selina Gomez), and his son-in-law Johnny (Andy Samberg), keeping down the fort as the place becomes a popular tourist attractions for both humans and monsters, and ESPECIALLY for monster wedding; presumably both in terms of scale and as a description of those tying the knot.  However, all this lovey-dovey stuff has made it more clear than ever that Drac himself has been alone for at least a hundred years since his wife (and Mavis’s mom) died at the hands of a torch wielding mob of humans, so maybe it’s time to get him back in the saddle.  At least you’d THINK that’s what everyone is thinking, but Mavis thinks he just needs a vacation and takes him on a cruise along with all his buddies (Kevin James as Frankenstein, David Spade as The Invisible Man, Steve Buscemi as The Werewolf, and Keegan-Michael Key as The Mummy) along with THEIR significant others (Fran Drescher, Chrissy Teigen, and Molly Shannon), as well all the monsters who have ever stayed at the Hotel so you can see them do their classic bits, and of course we cannot forget Drac’s dad Vlad (Mel Brooks)!  Oh, and don’t forget the kids Dennis and Winnie (Asher Blinkoff and Sadie Sandler) who are on this trip as well but are doing their own thing with Dennis’s giant pet dog Tinkles.  Said vacation by the way is being hosted by the adventurous and very much human Captain Ericka (Kathryn Hahn) who’s not just whisking these monsters on a fabulous journey; she’s also managed to immediately steal the heart of Drac who ZINGED the moment he caught sight of her!  Now Drac has to find a way to confess his feelings for Captain Ericka while also keeping it from Mavis who he worries might not accept him dating again after the death of her mother all those years ago.  Can Drac find love out on the open sea, or will his duties as a loving father (and grandfather!) keep him from finding love once again?  Is Captain Ericka as wonderful as she seems and the perfect match for good ol’ Drac, or is there more to her than meets the eye?  If this movie is a hit, can we finally get Tartakovsky to do that Popeye movie?  PLEASE!?

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“We’ve made Sony a BILLION dollars!  You’d think they’d throw him a bone at some point!!”

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Cinema Dispatch: Skyscraper

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Skyscraper and all the images you see in this review are owned by Universal Pictures

Directed by Rawson Marshall Thurber

I for one will NEVER turn down a Dwayne “The Rock” Johnson flick even if it looks as freaking ridiculous as this Die Hard knockoff looks to be!  The guy is an unstoppable force in Hollywood and the fact that almost all of his movies are least SOMEWHAT enjoyable is a good indication of why that’s the case.  This one looks to be no different in any significant way, but hey!  More of what we love from the guy can’t possibly be a bad thing… right?  Does this manage to be fun despite its silly premise and unbelievable set pieces, or is there a limit to what even THE ROCK is capable of carrying?  Let’s find out!!

Our hero is Will Sawyer (Dwayne Johnson) who’s a former FBI… SWAT… Solider… something, who’s spent the last ten years working as a private security consultant.  See, he had to retire after… the incident, which may have taken one of his legs also led to him meeting his wife (Neve Campbell) who he then married and had two kids with (McKenna Roberts and Noah Cottrell) so six of one half a dozen of the other!  Anyway, he’s landed his biggest job yet as a third party verifier of the security and safety systems that are put in place at THE PEARL.  What is THE PEARL you may ask?  Well it’s the largest skyscraper IN THE WORLD (it sure would suck if someone had to climb it later in the movie) that was built by Chinese billionaire Zhao Long Ji (Chin Han) and is about to open its upper floors to renters; provided of course they pass Will’s safety check which will secure them a reasonable insurance policy!  Well as exciting as all that sounds, things start to go south as a crew of well-trained criminals (led by Roland Møller) not only infiltrate THE PEARL but also get total control of their security system, and they set fire to the upper floors in an attempt to smoke Zhao out of his penthouse and get whatever it is he’s hiding up there.  There’s just one problem!  Okay, actually two problems.  Will’s family was STAYING on one of those floors they just so happened to set on fire, and Will himself was outside THE PEARL as part of his security check and now needs to find a way inside.  So not only did you piss him off by putting his family in danger, you’re gonna force him to face heights, smoke, and absurdly high temperatures as well which is just gonna get him THAT much more angry at you!  Can Will somehow infilitrate the burning building and save his family before it’s too late?  What exactly is Zhao hiding, and is worth all the destruction these bad guys are causing?  Wait, is he SERIOUSLY gonna try to jump that!?

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FLAP YOUR GIANT MUSCULAR ARMS, DWAYNE!!

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Cinema Dispatch: Ant-Man and the Wasp

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Ant-Man and the Wasp and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Peyton Reed

The first Ant-Man is easily one of my favorite Marvel films and has always felt like an outlier in the MCU because (incoming pun VERY much intended) it knew the value of going small.  The fate of the world wasn’t at stake, it didn’t involve Gods, Kings, or vast armies of convenient cannon fodder; rather it was a heist film about a guy who basically just needed a job and got wrapped up in a while bunch of sci-fi nonsense!  It was fun, it was light, and it didn’t have the weight of a dozen other films dragging it down which, given my lukewarm reception to the more recent BIG TEAM UP MOVIES, is just the kind of Marvel film I could really use right about now.  Seriously, I couldn’t IMAGINE a better time to make a goofy palate cleanser than in the wake of Infinity Bore which I’m STILL feeling rather grumpy about and could certainly use something like this to take my mind off of it.  Does this manage to be the perfect antidote to the overly serious and bombastic Avengers film that preceded it, or does the specter of that film loom large enough over the MCU that even THIS series cannot escape from its massive shadow?  Let’s find out!!

The movie begins in that period between Civil War and Infinity War where The Avengers are basically split up but no one is all that freaked out about it.  Spider-Man is doing his thing on the East Coast, Black Panther is dealing with his kingly duties in Wakanda, and it turns out that Scott Lang (Paul Rudd) has been doing… nothing.  Yeah, it turns out that after helping Captain America in Civil War and taking a plea deal with the US government, he’s under house arrest and hasn’t been doing his Ant-Man thing in a while; especially since the Sokovia Accords (ugh…) have an odd stipulation that the people who MADE the tech he used are JUST as responsible as he is and need to face similar punishments.  Well jeez, I kinda wish we ACTUALLY had that with gun manufacturers, but what it means here is that Hank Pym and Hope van Dyne (Michael Douglas and Evangeline Lilly) are on the run and decidedly not talking to Scott for putting them in this situation in the first place… not that they could considering he’s under house arrest.  Jeez, kind of a downer way to start the movie, BUT things get better once Scott starts having night terrors about the Quantum Realm and Janet van Dyne (Michelle Pfeiffer) who is the mother of Hope and the wife of Hank, and manages to get this message to those two who swiftly kidnap him MERE DAYS BEFORE HIS HOUSE ARREST IS UP!  It turns out that the two of them have been continuing their research while running from the law (pretty easy to do when you have the ability to shrink) and they’re VERY close to making a tunnel to the Quantum Realm (that place you go to if you shrink TOO SMALL and where Janet ended up after doing so on a mission) but apparently Scott has some connection to it and potentially to Janet due to him somehow escaping it in the first film.  Okay, so Scott helps them with the Tunnel and with any clues he may have about Janet from his dreams, and then they just drop him off at his house before the cops realize he’s gone!  Easy enough, right!?  Well… not exactly.  Throw in some wannabe gangsters looking to snag their research for profit (led by professional scumbag Walton Goggins), a mysterious woman who has bad ass phasing powers (Hanna John-Kamen) trying to steal their research for reasons OTHER than profit, and all of a sudden it looks like Scott might end up going to jail for twenty years because he got caught up in some giant caper yet again and could get caught out of the house at any moment by FBI agent Jimmy Woo (Randall Park) who is just itching to put him away for good!  Can Scott, Hope, and Hank find out what happened to Janet and maybe save her from the Quantum Realm?  What exactly is the mystery phasing lady after, and just how far will she go to get her hands on their research?  When they get that glove away from Thanos, can we use the Time Stone to go back and make EVERY Marvel movie about Ant-Man and The Wasp?

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“Captain Ant-merica!  Guardians of the Colony!  Thor; Ragna-wasp!”     “Yeah, I’m sure Paul Feig is gonna put those on a marque.”     “Well you won’t know until you ask him!”

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Cinema Dispatch: Sicario: Day of the Soldado

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Sicario: Day of the Soldado and all the images you see in this review are owned by Columbia Pictures

Directed by Stefano Sollima

You know what I thought when I got out of the first movie?  This is PRIME material for a franchise!  Yeah, the first Sicario was a dark journey through the worst aspects of the War on Drugs which felt REALLY complete as a story, but after it made a boat load at the box office the studio couldn’t help itself from squeezing as much money out of this cash cow as they could which HOPEFULLY means we’ll get a crossover with The Fast and the Furious franchise, but until then we’ll have to get stuck with more straightforward entries of vastly diminishing returns.  Okay, that’s a little unfair.  After all, it’s not like you COULDN’T make another movie with this cast, and the premise seems like a great starting point to bring up issues surrounding immigration and border patrol that have only become more exacerbated since the last film came out!  Wishful thinking I suppose, but you’ve gotta have SOME amount of hope, right!?  Will this be a great and topical sequel to an already fantastic movie, or was this project doomed long before it had a chance to say something important about our current political climate?  Let’s find out!!

Following the events of the first film, Matt Graver and Alejandro Gillick (Josh Brolin and Bencio del Toro) seem to have parted ways at least for the time being as the former is still running operations at the border while the latter is waiting for another chance to hit hard against the Cartel.  The good news is that such an opportunity has presented itself and will lead to their most drastic and bloody mission yet!  The bad news though is that said chance only happened because terrorist blew up a grocery store in Kansas City where at least one of them seems to have gotten into the country illegally from the border (ugh…) and might have even gotten a bit of help from the Cartel.  With a blank check from the government to mess things up in Mexico, Matt decides to kidnap the daughter of one of the Cartel bosses down there (Isabela Moner)  and then blame it on one of the other Cartel bosses; causing a civil war within the country that will decimate their stranglehold on the area.  Things SORT of go off without a hitch, but once it’s time for them to return the girl under the guise of “finding her” across the border, things go sideways as Matt and Alejandro’s crew is ambushed and the girl runs off into the desert.  Alejandro goes for the girl while Matt and the rest head back to base in Texas, but all is well as the ambush has made things more complicated than they should be and it’ll be that much harder for Matt and Alejandro to find a way to resolve this without stabbing each other, the US government, or anyone else, directly in the back.  Can Alejandro not only find this girl but find a way to keep her safe from those who wish her harm?  Just how far will Matt go for Alejandro, and will he be forced to choose between his friend and his duty?  Wait, how are we supposed to be rooting for these guys now!?  You SAW what they did in the last film, right!?

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“BANG-BANG-BANG-BANG-BANG-BANG-BANG-BANG-BANG!!”

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Cinema Dispatch: The First Purge

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The First Purge and all the images you see in this review are owned by Universal Pictures

Directed by Gerard McMurray

Do you realize that it’s ONLY been two years since the last Purge movie?  It feels like an ETERNITY since then, and that’s mostly due to the way that reality deviated in much worse way than Election Year had predicted, and we’re gonna be suffering through this waking nightmare for quite a bit longer; especially with the inevitable ideological shift of the Supreme Court.  Now the last movie managed to be my favorite movie of 2016 which puts me in a rather exclusive category of people who liked it more than La La Land, Arrival, and Moonlight, and I still stand by that decision no matter WHAT Rotten Tomatoes gave it!  The franchise has only gotten better with each movie, a feat that I a franchise has rarely if EVER pulled off, and the reason why is because the filmmakers BELIEVE in their premise and build upon it each time; expanding the lore, coming up with creative ways to murder, and most importantly hammering down and fine tuning its message that is stronger than most “respectable” movies that try to do the same thing.  With this one though, they’re not only going for their most radically political yet, but also make it a successful prequel which is rarely a good idea for ANY horror franchise.  Heck, do you even REMEMBER they did a prequel to The Thing or that Leatherface prequel from last year?  If there’s one franchise that has a chance of pulling it off though, it’s this one.  Does this movie manage to elevate the bar once again for smart and brazen horror films, or have they finally managed to bite off more than they can chew in a political climate that may be too hot for even THIS series to handle?  Let’s find out!!

With unemployment on the rise and an ineffective response from the government to fix it, the United States is breaking out in protests across the country which may SOUND like a reflection of our own time, but hold your horses!  We haven’t gotten to the takeover of the government by a Fascist political party!  Yes, in all this turmoil (much of it I assume is manufactured as a way to justify racist, classist, and nationalist policies), the New Founding Fathers of America gain enough popularity as a political party that they win the White House and presumably the other branches of government; paving the way for them to come up with a plan to fix everything by which I mean killing off poor people.  No wait!  We can’t be THAT blatant right away.  Let’s just call it… an experiment!  Yeah, that’ll work!  Using some rather sketchy science from a doctor of… something (Marisa Tomei), the NFFA has sectioned off Staten Island as the site of a sociological test to see if it’ll be the solution to increased crime rates which is, you guessed it, THE PURGE.  For twelve hours, paid volunteers who offered to stay on the island (and those who couldn’t afford to get off) will be able to commit ANY crime they wish, up to and including murder, and our tour guides for this night of horror Nya (Lex Scott Davis) who’s been organizing protests for this event from the beginning, her brother Isaiah (Joivan Wade) who’s considering partaking in the violence, and a local gangster named Dmitri (Y’Lan Noel) who has a history with Nya and is just as skeptical as she is of what’s REALLY gonna happen on this fateful night.  Will our heroes survive a night of unmitigated horrors doled out by fascist politicians and easy led fools?  Just how far will the government go to make this experiment the new law of the land, and will justice ever find its way back to them?  How is it that THIS franchise has never gotten an Oscar nomination, but everyone tripped over themselves to heap praise on Three Billboards when it’s message was a weak sauce version of the one in these films!?

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Now if Frances McDormand was IN the movie, THEN it might have a shot!

Continue reading “Cinema Dispatch: The First Purge”