Cinema Dispatch: The Beach Bum

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The Beach Bum and all the images you see in this review are owned by Neon

Directed by Harmony Korine

Did you know that I once asked John Waters a question at one of his shows?  Yeah, unlike people who actually do this for a living, I don’t have any celebrity stories to speak of, but I saw him at a show once and he picked me during the Q and A.  Anyway, my question was whether I thought his work had been a major influence on modern filmmakers and if anyone in particular came to mind.  He said that he doesn’t really see himself DIRECTLY influencing people, but that he did break down barriers for others who would come later… and he also said that Todd Solondz as Harmony Korine have PROBABLY seen his films.  I don’t know if that means much in relationship to the latter’s most recent film, but I figured this is probably the best chance I had to tell that story, so there it is!  As far as Mr. Korine himself, I’ve only ever seen Spring Breakers which I actually liked quite a lot, though I haven’t seen it in years and I get the feeling that it’s more uncomfortable moments don’t hold up all that well, but that’s why directors solider on and film NEW movies such as this one here!  Is The Beach Bum another success for this unique voice in Hollywood, or has his worst tendencies come to the forefront even more so than usual?  Let’s find out!!

Moondog (Matthew McConaughey) is just some dude who spends his time in the Florida Keys bumming drinks off of people, sleeping on the beach, and finding joy in life wherever he can find it.  Oh, and he’s also a famous writer, super rich, and has a loving family who he can go back to any time he needs to dry out from his latest binge.  His wife Minnie (Isla Fisher) adores his free spirited attitude towards life, love, and the law, but that last one kind of gets them in trouble as the two end up drinking and driving on the night of their daughter’s wedding (Stefania LaVie Owens) and Minnie ends up dying in the crash.  In her will, she tells Moondog that he won’t inherit her vast fortune until he finishes his latest novel which he’s been procrastinating on for some time, so he decides to do just that.  Of course he’ll be getting drunk, having sex, and… well doing what he’s always been doing as well, but he’ll find time to write a few lines here and there!  With adventure, drugs, friends including his buddy Lingerie (Snoop Dogg), is there anything that can keep Moondog down?  Will he eventually finish his book before he runs out of whatever money he has left as well as the goodwill of the people he’s met throughout his wild and bombastic life?  You know how some movies are clearly made so the filmmakers can take a vacation?  Why do I get the feeling that was the case here but less luxury hotels and more drinking tequila under a bridge and calling it “research”?

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Academy Award Winner Matthew McConaughey, seen here hoping to God he didn’t crap his pants last night.

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Cinema Dispatch: Us

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Us and all the images you see in this review are owned by Universal Pictures

Directed by Jordan Peele

After Get Out, it was almost a certainty that Jordan Peele would become one of the predominate voices in the industry, but as is the case with any director who comes out the gate that strongly there’s always the question of how they’re gonna follow it up; hence the term Sophomore Slump.  Michael Cimino, Richard Kelly, Joe Cornish, they’ve all had underwhelming second films and it’s not that hard to see why.  Bigger budgets and more creative freedom means that a lot of filmmakers will pursue their passion project which may or may not appeal to as many people (or let’s be honest, aren’t as good ideas as they think they are) which rubs up against the very high expectations to follow up their first film with something even better.  Will that be the fate of Jordan Peele’s follow up to Get Out, or is he destined to buck the trend and give us a new experience that’s just as fantastic?  Let’s find out!!

Adelaide Wilson (Lupita Nyong’o) is your average middle class woman with the perfect family consisting of her husband Gabe (Winston Duke) and her children Zora and Jason (Shahadi Wright and Evan Alex) who head to their summer home for a much needed vacation.  Said vacation however is somewhat bittersweet as it used to belong to Adelaide’s mother before she died and on top of that Adelaide has some less than perfect memories of the place.  You see, back when she was a child she and her parents took a visit to the boardwalk where she wandered off and ran into a little girl who looked EXACTLY like her.  What happened next is something of a mystery, but the point is that it was a very traumatizing moment and the memory of it has put her on edge the entire time they’re there.  It turns out she was RIGHT to be fearful however because in the middle of the night a family of four who look just like them (played by the same actors) and refer to themselves as THE TETHERED break in and start being SUPER creepy around the family with some sort of deadly scheme in mind.  I think it goes Step 1: Murder, Step 2: … , and Step 3: Profit, but whatever the end goal may be the Wilson family is gonna need to find a way to fight back and survive this horrid night by any means necessary.  Can Adelaide and face her greatest fear in the form of the doppelganger she saw so long ago?  What exactly are THE TETHERED after, and do their ambitions extend beyond just torturing this one family for funsies?  What if Thanos’s plan wasn’t just to wipe out half of humanity, but to replace them with evil versions of the other half!?  JORDAN PEELE IS NOW CONFIRMED FOR THE MCU!!

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“I didn’t survive the attack on Wakanda just for this crap!  Wait, did I survive?”

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Cinema Dispatch: Wonder Park

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Wonder Park and all the images you see in this review are owned by Paramount Pictures

Directed by no one

So you’re telling me that there’s a movie in theaters right now where a sex pest had to leave the movie halfway through its tumultuous production, and it’s NOT Bohemian Rhapsody!?  Yes, it’s not a typo that I didn’t credit a director on this movie because the guy who at some point sat in that chair got booted off of it and got the added justice of having his name stripped from the credits; something that I’m sure Fox would have really liked to do for its movie before things got awkward at the Oscars.  Even before I knew any of that though, I was not looking forward to this considering how low rent and unappealing the trailers were which makes it all the more astounding that the darn thing cost upwards of a hundred million, so it seems pretty clear we’re in for a train wreck of epic proportions.  Does this movie miraculously stick the landing despite everything going against it, or are we just here to watch it flame out in spectacular fashion?  Let’s find out!!

June Bailey (Brianna Denski) is your typical millennial smarty pants who was basically raised her whole life on STEM related games; the main one being an imaginary park known as WONDER PARK with fantastical rides and a staff of talking animals that she and her mother (Jennifer Garner) would work on each night before bed.  Over time, June’s interest started to bleed out into the real world which started off rather dangerously with unsafe roller coasters made out of plywood and city property, but eventually she started to focus on smaller scale project with actual engineering behind them instead of trial and error until someone cracks their skull open.  However… something happens.  I’m not going to say WHAT because the trailers do a very good job of hiding what this movie is actually about, but there’s a tragedy that causes her to give up on her Wonder Park dreams, and since this is a Kid’s Movie the universe will not take such flagrant cynicism lying down!  Thorough the power of unexplained magic, June ends up in Wonder Park itself which is run by the loyal animal staff which includes Boomer the bear, Gus the beaver, Cooper the OTHER beaver, Greta the boar, and Steve the porcupine (Ken Hudson Campbell, Kenan Thompson, Ken Jeong, Mila Kunis, and John Oliver), but has been left in disarray for some time now.  See, something happened to the park as well which brought THE DARKNESS upon them (I WONDER IF HER TRAGEDY AND THEIRS ARE SOMEHOW CONNECTED!?) that caused the guests to disappear and the stuffed animals to turn homicidal; taking the group’s leader Peanut (Norbet Leo Butz), a chimpanzee with a magic marker who made the rides June and her mother thought of.  So now June is stuck in the last place she wants to be with animal friends who are not very helpful and is now trying to fix an amusement park in order to save a chimp with magic powers from adorable abominations.  Sounds legit if you ask me!  Can June and her friends figure out how to get the park up and running again to banish the darkness once and for all?  Will this exercise in engineering splendor and stuffed animal homicide be just what June needs to confront her traumas once and for all?  Is it just me, or does this all sound pretty convoluted for a movie so clearly aimed at five year olds?

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“Okay, so is this The Darkness that gives you demonic powers, The Darkness that stains your new white couch, or The Darkness that fuels our deepest fears and anxieties?”     “I’m pretty sure it’s the last one, but I don’t think it’s fond of couches either.”

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Cinema Dispatch: Captive State

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Captive State and all the images you see in this review are owned by Focus Features

Directed by Rupert Wyatt

I still haven’t seen those Planet of the Apes movies, but I hear they’re pretty good; especially that first one which I recall being a rather big surprise for people.  The guy’s only done a few other things since then, none of which I’ve seen, but hey!  If you’re gonna go in without context, try to go all the way!  I mean seriously, I hadn’t seen a trailer or even heard about this movie until I was trying to figure out what I was going to see after Captain Marvel, so this is one big question mark for me which is USUALLY a good thing in trying to get the most out of that initial experience, but it also means that I can easily get smacked up the head by something bafflingly awful which is its own special kind of torment.  Will this movie I know nothing about live up to the expectations I don’t have for it, or will I be utterly disappointed by how bad this completely out of the blue failed to be as good as I envisioned it to be?  Let’s find out!!

The movie takes place after aliens have already come down, kicked our butts, and have taken over everything; not so much to destroy the planet, but more like colonization where they keep us in line and plunder our natural resources.  In Chicago, Gabriel (Ashton Sanders) is eking out an okay existence along with everyone else, but his late brother Rafe (Jonathan Majors) was part of a resistance movement that tried to attack the aliens and now he’s trying to do the same thing.  However, there are a few roadblocks that are in his way.  For one, there’s already a resistance movement making headway towards destroying the alien’s base in Chicago (some underground facility) which makes his paltry efforts seem inconsequential, and on top of that his late dad’s best friend William (John Goodman) is a cop that’s keeping an eye on him and also keeping an eye on anyone who maybe planning further terrorist attacks against their alien overlords.  This has been made somewhat easy because for some reason everyone now has a bug (it’s unclear if its literally or figuratively) implanted in their necks to keep track of their movements at all time, and of course the authorities have gone all police state to keep people in line.  Can this resistance group actually make a serious blow against their oppressors, and will Gabriel somehow be a key part to their plan without him even knowing it?  What will William do when push comes to shove and he has to take decisive action against those who he’s sworn to stop from inciting more violence and angering the aliens?  Is the twist gonna be that the aliens are actually Krypotnians, because this looks A LOT like Man of Steel.

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“That spaceship crashed SIX YEARS AGO, and Superman STILL hasn’t cleaned it up.”     “Dude just cares about Metropolis.  He’s got no time for the little guys out here.”

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Cinema Dispatch: Captain Marvel

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Captain Marvel and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Anna Boden and Ryan Fleck

You know, it’d be nice if a Marvel movie can come out and NOT bring out the worst of the man babies which has sadly become an almost yearly ritual that the rest of us have to deal with.  Now admittedly I was something of a crybaby when I was pretty scathing about Infinity War, but at least I WAITED until I saw the movie and… you know… FORMED MY OWN OPINION ABOUT IT!  I didn’t go into it assuming it was going to be bad or pass of blatant lies as a “review” to tank an arbitrary number like an alarming number of people took time out of their day to do!  The amount of wailing and gnashing of teeth that this movie generated is phenomenal, and frankly it’s a BIT worrying at this point for the most popular thing in the world to somehow also be the largest lightening rod of faux controversy in cinema.  It’d be nice if something other than the latest Disney Money Maker can be talked about without the SAD BOY PATROL rearing their ugly heads and derailing ACTUAL conversations that people care about, but I guess we don’t get to choose our villains who in this day and age are less James Moriarty and more The Collector from that one Treehouse of Horror episode.  Anyway, we’re all here to talk about the movie, so let’s cut through the nonsense and look at what all the hubbub’s about!  Is this a cinematic masterpiece that will crush the patriarchy once and for all, or did all these crying losers utterly lose their cool over a not especially good superhero movie?  Let’s find out!!

Vers (Brie Larson) is a refugee on a Kree planet who was found by Yon-Rogg (Jude Law) and trained to be a warrior to fight the enemy that left her for dead and with no memory; an enemy of shape shifting green dudes known as THE SKRULL!  Vers is not only tough but she has some sort of energy blast power thingy that makes her an effective hammer to smash things with, but she’s still struggling to be a team player which becomes an issue on her first mission with Yon-Rogg and his crew to extract a double agent before the Skrull find him.  The mission inevitably goes wrong, Vers is captured but manages to escape, and so she and a bunch of Skrull soldiers including their commanding officer Talos (Ben Mendelsohn) crash land on Earth which so far has been left unaware of the Kree/Skrull conflict.  Not long after landing, she meets up with a S.H.I.E.L.D. operative named Nick Fury (Samuel L Jackson) who decides that the enemy of my enemy is my friend (at least for now) and is helping her find the Skrulls and whatever it is that led them to Earth in the first place.  Eventually Vers learns that she’s actually FROM Earth and that her real name is Carol Danvers which is quite a shock to her considering that she was supposedly a refugee from another planet, so on top of stopping the Skrull from destroying this planet like they have to so many others, she has to find out exactly who she is, why she ended up on a Kree planet, and what this would mean for her life going forward.  Can Carol find the secrets of her past, and will they be the key finding her true place in the universe?  What exactly are the Skrull planning, and can Carol’s new perspective lead her to finding a way to end this conflict once and for all?  Seriously, why were there SO many creepy dudes combing through every single detail before this movie came out!?  Do they really think it makes them look smart and credible!?

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“You think I should smile more?”     *PUNCH*     “How about now?”     *PUNCH*     “This is actually kind of fun.”     *PUNCH*     “Oh would you look at that?  I might just start to smirk!”     *PUNCH* *PUNCH* *PUNCH*

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Cinema Dispatch: A Madea Family Funeral

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A Madea Family Funeral and all the images you see in this review are owned by Lionsgate

Directed by Tyler Perry

It’s Perry time once again and I COULDN’T BE HAPPIER!!  Oh who am I kidding!?  I cannot keep up the charade any longer!  I am definitely not looking forward to this guy trying to make a movie with nothing more than a living room, a couple costumes, and an absolute disdain for the art of editing.  I’ve had to sit through Boo 1 AND Boo 2 already!  You think I’m proud of that!?  Now we’ve got this movie that he’s claiming will be the last time we see Madea (as bad as these are I STILL want to see a Madea movie where she takes on the alt right and punches Richard Spencer in the face) which would hopefully means it’s a culmination of everything he’s learned as a filmmakers after all these years, but I think we all know better than to assume he’s thought that far ahead.  Can Tyler Perry send off his signature character with an emotionally satisfying swan song, or is this just like ALL the others which… actually would still be pretty fitting all things considered?  Let’s find out!!

Madea, Joe, Hattie, and Aunt Bam (Tyler Perry, Tyler Perry, Patrice Lovely, and Cassi Davis) are doing their own thing at Brian’s house (Tyler Perry again) but what’s ACTUALLY going on is that one of  Madea’s numerous relatives is having an anniversary party that all the grown kids on that side of the family are preparing for.  We’ve got the couple of the hour Anthony and Vianne (Derek Morgan and Jen Harper), their naïve yet good hearted son Jessie with his girlfriend Renee (Rome Flynn and Quin Walters), their older son AJ who’s a Tyler Perry stock villain along with his rich wife Gia (Courtney Burrell and Aeriél Miranda), and their daughter Sylvia with her husband Will (Ciera Payton and David Otunga) who are… just kinda there.  Oh, and also Uncle Heathrow (Tyler Perry AGAIN) who’s the WACKY relative who’s obnoxiously sexist humor everyone just kind of puts up with.  Anyway, while the party is getting ready and Madea and co are on their way, someone dies.  I’m not gonna spoil who, but what this means is that everyone’s gotta plan for a funeral now which involves Madea taking charge and being SUPER WACKY about it while everyone else who’s actually important to the story start to have their secrets bubble to the surface which could tear this entire family apart.  Can Madea pull off a successful funeral with only a minimal amount of mishaps in horror of the recently deceased?  What is everyone in this family hiding, and just how much popcorn should we get to watch it unfold?  Has any else noticed that there’s ALWAYS drama whenever Madea comes around?  It’s like whenever Jessica Fletcher visits a place and someone JUST SO HAPPENS to get murdered, only one of them doesn’t do a darn thing to actually help the situation.

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“Look here!  I’ve got me some drama bombs and I’m not afraid to use them!  I will ruin each one of your lives and make forty million dollars filming it!  DO YOU HEAR ME!?”

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Cinema Dispatch: Greta

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Greta and all the images you see in this review are owned by Focus Features

Directed by Neil Jordan

Is it just me, or are we about to get a tidal wave of horror movies?  Sure, we’ve already had stuff like Escape Room and The Prodigy wasting space at the multiplex, but we’re just coming off of Happy Death Day 2U before getting this film, and we’ve still got Us and Pet Semetary coming out soon, not to mention that EVIL Superman movie and the one where Octavia Spencer kills a bunch of bratty teenagers just over the horizon!  Can this movie about the perils of making friends with Isabelle Huppert prove to be the standout horror movie in an already crowded field, or will this be lost in the shuffle like so many other movies trying to grab onto this popular (and affordable) genre?  Let’s find out!!

Frances (Chloë Grace Moretz) is your typical millennial living in the city with her roommate Erica (Maik Monroe) and one day she finds a purse all by its lonesome that she decides to return it to its owner because she’s such a nice person!  Said purse is owned by Great (Isabelle Huppert) who lives alone and spends her time playing the piano to drown out the neighbors who always seem to be banging on her walls, and the two become quick friends.  Maybe they have genuine interests or maybe their using each other to fill a hole they have in their lives (Frances’s mother recently died and Great’s daughter is supposedly off in France), but whatever the case may be they both seem to be much more happy now that they’ve got each other as friends!  Now that sounds like a fun movie on its own, but as it turns out Greta is hiding something as Frances finds a half dozen of the same purse in her one of Greta’s cupboards which means she DIDN’T lose her purse and intentionally left it for someone to find!  Why would she do that!?  Well the correct answer is WHO CARES because the answer is probably not a good one and so Frances decides to bail and cut all contact with Greta.  Not an easy task as it turns out as she won’t stop calling her apartment, leaving lengthy voicemails, and even showing up at her place of work to try and stay in touch with her.  With the police unable (or possibly unwilling) to help Frances out, she decides to take matters into her own hands and find out more about Greta which leads to even more mysteries and even a few answers she may not like.  Can Frances find a way to extract Greta from her life without putting herself or her loved ones in danger?  What is Greta really after, and just how far will she go to get it?  Did you know Isabelle Huppert was supposed to be in the Suspiria remake back when David Gordon Green was supposed to direct it?  Maybe THAT’S what this is all about!!

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“Did you put in a good word for me, Chloë?”     “Yeah… of course!”     “YOU LIAR!!”

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Cinema Dispatch: Isn’t It Romantic

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Isn’t it Romantic and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Todd Strauss-Schulson

This review is going up PRETTY darn late considering it’s been out for over three weeks now, but I have a VERY good reason for taking my time with it!  Okay, maybe not a GOOD reason, but the truth is that I got a serious case of writers block thinking about this movie.  Yeah, the mid-February release is the one that locked up my brain for a lot longer than I’d care to admit.  How could that be!?  In the year that already brought us Glass and Serenity, THIS is the one I had trouble wrapping my head around!?  Could it be that this is a multi-layered and nuanced examination of relationships and the media surrounding them, or is it just kind of… meh, but in ways that aren’t particularly interesting to write about?  Let’s find out!!

Natalie (Rebel Wilson) is a young woman struggling to make it in the big city and has abandoned love to focus on her career which isn’t going to great either because she’s a smart and overly competent woman who isn’t taken seriously at the workplace.  Her best friend Josh (Adam DeVine) has a crush on her, her girlfriend Whitney (Betty Gilpin) is a bit quirky but always encouraging, and the new hotshot with a million dollar smile Blake (Liam Hemsowrth) is ignoring her ideas to his own detriment because she has some brilliant plans for his next project.  Sounds a bit clichéd if you ask me, even the part about Natalie being cynical about love and calling out other Romantic Comedies for being unrealistic, but after suffering a concussion in a WACKY mugging scene, she wakes up and finds herself in a ROMANTIC COMEDYTM where everyone is a model, the colors are boosted up to eleven, and people will break out into song occasionally.  Natalie may be fully aware that she’s stuck in a Meg Ryan movie by way of Baz Luhrmann, but the question is how the heck does she get out of here?  Is this Back to the Future rules where she has to recreate the incident that got her there, or is this Groundhog Day rules where she has to fulfil some sort of destiny before she’s allowed to leave?  Well she’s gonna have to try both at least, and when the first one doesn’t work out she starts to pursue the hunk-tastic Blake because of course that’s who she’ll end up with in these kind of stories and starts going to the motions as best as she can; which includes living in her overpriced apartment, starring in makeover montages, and even having an offensive gay best friend stereotype named Donny (Brandon Scott Jones) who lives next door and always pops up whenever he’s needed!  Can Natalie survive this nightmare of high fashion, shallow problems, and unrealistic romance long enough to get back to her normal life of muted colors and an unfulfilling work environment?  Will Blake be the key to her escape, or is there something ELSE she should be looking for instead?  Doesn’t this feel a bit like a chicken and egg situation where figuring out if the cliché is more clichéd than the critique on the cliché?

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“I REJECT YOUR REALITY AND SUBSTITUTE IT WITH MY OWN!!”

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Cinema Dispatch: Happy Death Day 2U

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Happy Death Day 2U and all the images you see in this review are owned by Universal Pictures

Directed by Christopher Landon

Man, I’ve been sitting on this one for almost two weeks.  I don’t know what happened!  Even though I saw it right when it was released a bunch of movies came out and this went on the back burner!  It certainly had a lot to live up to considering that the first movie was one of my favorite films of 2017; not to mention that a sequel seemed like the worst idea ever as the first movie felt so complete in its story.  Bill Murray never made Groundhog’s Day 2, and probably for the same reason he never did a Ghostbusters 3; it would have been a terrible idea!  ANYWAY, before I say something that’ll REALLY tick people off, does this pointless sequel manage to justify its own existence, or are we doomed to yet another brilliant movie made to churn out sequels until you forgot why you liked the darn thing in the first place!?  Let’s find out!!

Tree Gelbman (Jessica Rothe) having discovered who it was that was trying to kill her and closing the time loop that put her in a Groundhog’s day scenario is living the good life!  She woke up and it was a different day, and that guy Carter (Israel Boussard) who helped her out all those times but has no memory of it is making out with her!  Yup, it looks like easy street for Ol’ Gelbman!  Oh wait!  Carter’s roommate Ryan (Phi Vu) seems to be stuck in a time loop of his own!  How did THAT happen?  Hm… maybe it has to do with quantum reactor that Ryan and his two classmates (Suraj Sharma and Sarah Yarkin) have been working on!  Wait, what?  So all this time, it was a giant science thingy in the basement that somehow made Tree relive that day over and over again?  Huh.  Well okay then!  So that mystery that didn’t need solving is now solved, but what ISN’T solved is why things are still acting up in the space time continuum after she managed to close the loop?  Well before she can find out, things get a LITTLE bit out of control and the quantum thingy… explodes I guess, and puts Tree back into her original loop.  OR DID IT!?  It turns out that she’s not just back reliving Monday the eighteenth over and over again; she’s doing it in a parallel universe where things are significantly different in ways that Tree is gonna have to discover the hard way!  Can Tree and the science squad manage to figure out how to work the darn machine and send her back to her own universe?  Will this universe actually have something in it that Tree desperately needs, and will she give up her old life to live here?  If the killer from the first movie isn’t the killer in THIS universe, then who IS the killer!?

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“OLD MAN BLUMHOUSE!?”     “That’s right!  I wanted to make horror movies even cheaper so I just started stabbing teenagers myself!  And I would have gotten away with it if it wasn’t for SAG-AFTRA regulations!!”

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Cinema Dispatch: Fighting with My Family

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Fighting with My Family and all the images you see in this review are owned by United Artists Releasing

Directed by Stephen Merchant

There really should be more wrestling movies!  Not movies starring wrestlers because… well after forty years we’ve managed about three good actors out of it, but movies ABOUT wrestling!  Beyond the Mat?  Good documentary!  The Wrestler?  Great movie!  With those two examples, I rest my case!  In the hopes of rectifying this situation, we’ve got WWE Studios along with Dwayne THE ROCK Johnson producing a biopic of sorts that tells the life story of one of its more recent superstars Saraya-Jade Bevis, known by her ring name Paige!  Can the combined efforts of The WWE, Dwayneson The Rockson Johnson, and even the talents of Stephen Merchant who they roped in to write and direct this thing, bring us an entertaining and heartfelt movie about one of the world’s most popular sports, or are we in for another low rent outing from the studio known for mediocre horror movies, straight to DVD action flicks, and Hannah-Barbara crossovers?  Let’s find out!!

Saraya (Florence Pugh) is your typical teenager girl in your typical wrestling family.  Her parents (Nick Frost and Lena Headey) have trained her to be an in-ring superstar and her brother Zak (Jack Lowden) is training to be a superstar in his own right.  The family owns a rather notable indie wrestling promotion in England known as the World Association of Wrestling, but even with their comparatively high profile as a company they’re still struggling in a country that doesn’t seem to care much for independent wrestling promotions.  That’s why Saraya and Zak have been training in the hopes of getting the attention of the WWE which will not only propel them to the levels of fame and adulation that they’ve always wanted but will also give them a few bucks to send back home whenever WAW ticket sales fall short.  Their chance does eventually come when the WWE and NXT (the training program for potential wrestlers) visit England to put on a show and field some new talent; all of whom will be tested by one of their most seasoned trainers (Vince Vaughn) to see if they have what it takes.  The good news is that Saraya does indeed have what it takes!  The bad news is that Zak does not and so she has to leave her family behind to pursue her dreams while has to stay behind and fail to live out his.  Can Saraya survive the harsh challenges of the NXT boot camp and keep her head on straight despite being so far from home?  What will Zak do now that he’s failed at the one thing he’s been training his whole life for?  How intense do family dinners get when you know everyone there can power bomb you into the mashed potatoes?

 

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“All I’m saying is that Halloween Havoc isn’t as bad as people say it is.”     “What about the flash paper!?”     “WHAT IF I STAB THESE CHOPSTICKS IN YOUR EYES AND SHOVE EGGROLLS DOWN YOUR THROAT!?”     “Honey, I think we should probably have this discussion elsewhere.  THE LIVING ROOM IN FIVE MINUTES!!  IT’LL ALL BE SETTLED ONCE AND FOR ALL!!”

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