Category: Cinema Dispatch

Cinema Dispatch: The Suicide Squad

~ Matt Vetrano ~ Leave a comment

The Suicide Squad and all the images you see in this review are owned by Warner Bros

Directed by James Gunn

I was more positive than not about the first Suicide Squad movie, but there was absolutely a ceiling to how much I could appreciate it and frankly, I don’t think David Ayers getting his own AYERS CUT would end up improving things.  It was a lot of good ideas and solid performances wrapped up in a script that felt half-baked at best and an editing job that struggled mightily to wrangle it all into something coherent.  Fortunately, Warner Bros and the DCEU are in a much better position now as they’ve toned down the excessive budgets and improved the overall quality and tone of the films.  Best of all, they got James Gunn to direct it who’s made some of the best movies in the genre with his Guardians of the Galaxy films!  Sounds like the makings of a darn good movie to me, but are we looking at a perfect storm of awesomeness or are we just setting ourselves up for disappointment?  Let’s find out!!

Task Force X is a secret government program that is the brainchild of Amanda Waller (Viola Davis) and uses dangerous criminals to take on missions that are too dangerous for anyone else.  When there’s a regime change in a South American country to a government that is not so US friendly, Waller needs a crack team of weirdos to go in there and destroy a secret project known only as Starfish that is hidden below a research facility in the center of the country’s capital, and while some of them like Bloodsport Peacemaker, and arguably even Harley Quinn (Idris Elba, John Cena, and Margot Robbie), some of the others just seem to be there to either be cannon fodder or to just get them out of the prison system’s hair.  I mean seriously what are you supposed to do with a guy like King Shark (Sylvester Stallone) and some dude named THE POLKA-DOT MAN (Davis Dastmalchian)?  There are several others assigned to this mission such as Ratcatcher 2 (Daniela Melchior) and the always dependable Rick Flag as the leader (Joel Kinnaman), but it doesn’t take long for things to go sideways and for the team to have to more or less wing it as they try to find a way into the city undetected so they can kidnap the country’s super-scientist known as The Thinker (Peter Capaldi) to get them inside the research base and just figure it out from there.  Can this rag-tag group of super-losers save America from whatever this Project Starfish is and secure their freedom in the process?  What isn’t Amanda Waller telling them about the mission and just how much is at stake if they end up failing?  I mean whatever happens it can’t be as bad as having one of your own team members take over a city and turn everyone into her zombie servants.  Sure it’s a low bar to clear, but you’ve got to start somewhere!

“Honestly, I think we can write this off as a learning experience.”     “Hungry.”     “See?  The shark guy gets it!”
Continue reading “Cinema Dispatch: The Suicide Squad” →

Cinema Dispatch: The Green Knight

~ Matt Vetrano ~ Leave a comment

The Green Knight and all the images you see in this review are owned by A24

Directed by David Lowery

The first trailer for this movie dropped in February of 2020 which was mere weeks before the world pretty much came to an end and movies were either shelved or released on streaming services for exorbitant prices.  I was definitely interested in seeing it as I had a vague understanding of what The Green Knight story was and seeing it realized on the big screen with such interesting visuals and an AWESOME looking design for the titular knight seemed like a slam dunk to me!  I was ready to open a spot for it on my top ten list of 2020 based on the trailer alone, but we all know what happened next, and much like Sir Gawain himself we all had to wait one year to see how it all worked out.  Was it worth holding out until we could return to theaters to release it, or was it would it have been a better idea to just toss it onto HBO Max and hope that everyone forgets it before the studio puts out their next movie?  Let’s find out!!

In the time of legends and poor hygiene, a young knight name Gawain (Dev Patel) was going about his life without much knighting to speak of.  Sure he had the title, but he spent most of his days waiting for glory and honor to come to him rather than seek it out himself.  Fortunately for him, opportunity presents itself at the King’s Christmas party where a mysterious green Knight offers anyone there a simple challenge!  Strike him once however they wish, on the condition that in one year’s time they will take the same blow from the Green Knight.  Feeling plucky and looking to prove himself, Gawain takes up the challenge and with one swift strike, chops the Green Knight’s head off!  Well so much for taking a blow next year, am I right?  Well… it looks like this will still come to pass as the Green Knight casually picks up his head and rides off into the night!  I mean it’s KINDA on Gawain to not assume some magical shenanigans were at play, but still; he has one year to make up his mind as to whether he will got to face the Green Knight at his chapel and go through with this game despite him being PRETTY sure that his own head is not so easily reattached.  Gawain seems to be willing to face his fate as he mounts a horse and starts his journey, but things are not as straightforward as they seem; not with the path ahead of him or the convictions in his own mind.  Will Gawain preserve his honor and face the Green Knight’s blade despite how unfair this all seems?  What challenges will he face along the way, and are they enough to make him waiver in his convictions?  Seriously, WHY DOES THIS GUY LOOK SO COOL!?  Maybe that’s how he gets people to fall for this; he just charms them with his rugged good looks!

Green Knight for Smash!!
Continue reading “Cinema Dispatch: The Green Knight” →

Cinema Dispatch: Snake Eyes: G.I. Joe Origins

~ Matt Vetrano ~ Leave a comment

Snake Eyes: G.I. Joe Origins and all the images you see in this review are owned by Paramount Pictures

Directed by Robert Schwentke

How many people have seriously sat down and watched that GI Joe movie in the last few years?  Heck, I’m pretty sure Obama was barely into his second term the last time this franchise was the least bit relevant!  GI Joe is just not a franchise I ever had any affection for even if the more ludicrous aspects of it seem right up my alley, and roping a guy like Henry Golding into the franchise when even The Rock couldn’t salvage it seemed like a lot of wasted time and effort.  Still, it was a movie that Paramount had enough faith in to move out of its original October timeslot to wait until crowds can enjoy it on the big screen which is either true confidence in a unique vision or panicked desperation to try and turn a profit on a hundred million dollar ninja movie.  Does this manage to elevate the franchise and generate enough good will to get a few more sequels out, or (much like the movie’s namesake) this was a really bad bet to go all in on?  Let’s find out!!

A lone drifter known only by his fighting name Snake Eyes (Henry Golding) is searching for his father’s killer but hasn’t had much luck of it and spends most of his time punching things and being alone.  He’s eventually recruited by the Yakuza with promises of finding the man he’s been hunting, but it doesn’t take long for that to go sideways as the boss Kenta (Takehiro Hira) wants him to prove his loyalty by killing a traitor.  Now Snake Eyes is a lot of things, most notably a guy with a silly name, but he is not a killer so he and the supposed traitor fight their way out and escape; only for Snake Eyes to learn that he hit the motherlode as the traitor Tommy (Andrew Koji) is actually the heir to the most powerful ninja family in Japan and is offering Snake Eyes a place among them.  This decision doesn’t sit well with everyone in Tommy’s clan, especially their head of security Akiko (Haruka Abe), but with the bad blood between Tommy and Kenta as well as the ever rising tide of terrorism and weapons in Japan (no doubt provided by an organization that likes to brand everything with snakes), Snake Eyes may just be the man they need to save the clan from the ever encroaching threats that wish to bring them to their knees.  Is Snake Eyes really willing to dedicate himself to such a cause; especially with his father’s murderer still out there?  What does Tommy see in this guy that has convinced him to make such a bold move, and is this a decision he will end up regretting once all the dice have been rolled?  Is it just me or is this WAY more interesting than it has any right to be?

Are we sure Paramount didn’t just sneak a Takashi Miike movie into theaters and slap the GI Joe name on it?  I mean it worked for Power Rangers, right?
Continue reading “Cinema Dispatch: Snake Eyes: G.I. Joe Origins” →

Cinema Dispatch: Old

~ Matt Vetrano ~ Leave a comment

Old and all the images you see in this review are owned by Universal Pictures

Directed by M. Night Shyamalan

M Night Shyamalan is far from my favorite filmmaker, but I’m always interested to see whatever it is he’s made whenever his name flashes by on a trailer with this film being no exception!  The conceit seemed decent enough in a Twilight Zone or Outer Limits sort of way which is definitely in his wheelhouse, but there was A LOT going on here that made this look both laughable and disturbing.  I guess that’s why we all keep giving him more and more chances as no matter how bad he burns us with movies like The Happening, Last Airbender, and After Earth, there’s always something to his thrillers that makes them unique among everything else that makes it to theaters.  Does he manage to knock it out of the park once again with this ghastly tale of time gone haywire, or will this tank so bad that he’ll have to make another low budget found footage movie as penance?  Let’s find out!!

A family of four with parents Guy and Prisca (Gael Garcia Bernal and Vicky Krieps) as well as the young kids Trent and Maddox (Emun Elliott and Embeth Davidtz) are vacationing at a resort THAT THEY JUST SO HAPPENED TO FIND ON THE INTERNET where they cater to your every need in the most beautiful tropical paradise you’ve ever seen!  Not only that, they have a secret beach that is PERFECT for spending a day at, so the four of them head out there along with another family of four (Rufus Sewell, Abbey Lee, Kathleen Chalfant, and Kyle Bailey) as well as a nice couple (Ken Leung and Nikki Amuka-Bird) to enjoy the day swimming relaxing!  Things go sideways fairly soon however as Trent finds a dead body which some mysterious guy who was already there (Aaron Pierre) seems to recognize, and not long after that the oldest among them start to get sick.  They try to leave but something is causing them to black out as soon as they try to step through the cavern that led them here, and to make matters worse the three kids all start to age rapidly.  Trent and Maddox (now played by Alex Wolff and Thomasin McKenzie) and reaching adulthood within hours and everyone who has a medical condition is getting worse and worse as the seemingly fast passage of time is leaving their conditions untreated to rampage through their bodies.  With only hours to go before the adults grow old enough to die from age alone, can they find a way to escape this beach before losing all the time they have left?  What possible reason could there be for the beach being this way, and why were they put there in the first place?  If they get out of this alive, do the kids get like twenty birthday presents in a day?

“I want a car.”     “CAN WE TALK ABOUT THIS LATER!?”
Continue reading “Cinema Dispatch: Old” →

Cinema Dispatch: Space Jam: A New Legacy

~ Matt Vetrano ~ Leave a comment

Space Jam: A New Legacy and all the images you see in this review are owned by Warner Bros

Directed by Malcolm D Lee

Nostalgia is a heck of a drug, isn’t it?  The original Space Jam is certainly a fondly remembered time capsule and it has some highlights to it like its strong animation and some bizarre asides that gave it a bit of flavor despite being such an obvious marketing tool.  It’s been over twenty years though and what worked for us back then may not capture the imagination of the “Youth” today, and frankly I couldn’t tell you if any of them have seen or even HEARD of that first movie unless it was shoved on them by their Millennial parents.  It seems the question that this movie seeks to answer (along with how to make your budget back with a simultaneous streaming and theater release) is whether you can both reheat old nostalgia while giving something new for next generation to attach themselves to.  Does this succeed in giving us the best of both worlds, or will spreading itself too thin leave nobody happy?  Let’s find out!!

LeBron James may be a worldwide superstar and really good basketball player, but his parenting skills leave something to be desired as his son Dom (Cedric Joe) isn’t really into basketball despite his dad insisting that he go to Basketball Camp this summer.  He’d much rather go to Video Game Camp which I think is what people started calling Computer Camp to trick youngsters into going, but he’s worried about telling his dad that he’d rather make games than play ball.  While all this tension is in the air, Warner Bros has called LeBron James over so that their algorithm named Al-G-Rhythm (Don Cheadle) can pitch… some sort of multimedia deal?  LeBron seems as confused as I am so he turns it down which OF COURSE makes good ol’ Al go full on Skynet and kidnap him and his son, and drag them both into cyberspace.  Since Al-G-Rhythm is a WB program, I guess he’s aware of what a success the original Space Jam movie was and so challenges him to a basketball game while he mentors Dom and nourishes his desire to make video games.  It’s up to LeBron to find the most suitable characters owned by WB to join his basketball team, or failing that the Looney Tunes characters led by Bugs Bunny (Jeff Bergman), and get his son back by winning a game of basketball!  Can LeBron bring the Toons back together who’ve long been separated while also bridging the gap between him and his son?  What is Al-G-Rhythm’s plans for Dom once he’s done making his game, and will it spell doom for his family?  Wait, why do they call it Space Jam when no one in this is from Space?  Shouldn’t it be Cyber Jam?

“This is it?  What, were the Loonatics busy?”     “I RESENT THAT, GOOD SIR!”
Continue reading “Cinema Dispatch: Space Jam: A New Legacy” →

Cinema Dispatch: Escape Room: Tournament of Champions

~ Matt Vetrano ~ Leave a comment

Escape Room: Tournament of Champions and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Adam Robitel

I have next to no memories of the first movie other than a general sense of loathing and contempt for its central premise and absurd ending. The whole thing just got memory-holed like so many bad horror movies I saw in theaters which I guess is an interesting position to be in when watching a sequel as the lack of concrete feelings definitely gives it a lot of leeway as far as trying new things; not to mention that the overall low opinion going into it only makes the bar that much easier to clear.  It’s certainly possible that whatever negativity I felt for the first film has burned itself out and I’ll be more open for whatever this Saw Knockoff franchise wants to throw at me, but then again the trailers weren’t exactly selling me on anything beyond elaborate traps and people yelling which certainly sounds familiar to what I didn’t like last time around. Besides, we don’t NEED a Saw Knockoff anymore now that they’ve brought the series back and aimed it in a new and interesting direction!  In any case, does this latest entry in the ESCAPE ROOM UNIVERSE expand upon the original and actually give us something interesting, or will this movie double down on everything that didn’t work the first time?  Let’s find out!!

Following the events of the first film (which are helpfully summarized in a sequence that might as well have started with PREVIOUSLY ON ESCAPE ROOM), Zoey and Ben (Taylor Russell and Logan Miller) are still looking for the mysterious Minos corporation that set up the elaborate game from the first film and have seemingly set up games like this all over the place.  After some cajoling from Zoey, the two of them travel to New York which seems to be their base of operations but find nothing there except an empty alley and a purse snatcher.  Said purse snatcher grabs Zoey’s compass which I THINK was given to her by one of the characters in the first movie, and after an overly long chase through the streets of New York, they wind up on a subway car while the thief jumps out at the last second.  For reasons that are never properly explained, this subway car JUST SO HAPPENS to have four other passengers on it and they all get directed into another one of those deadly escape rooms.  ALSO as it turns out, the four other people are previous winners of one of Minos’s games which makes this (as one character helpfully says out loud) a tournament of champions.  Our previous winners are Rachel, Brianna, Nathan, and Theo (Holland Roden, Indya Moore, Thomas Cocquere, and Carlito Olivero), and all six of them have to go from room to room solving deadly puzzles for some nebulous goal and the chance to maybe not get murdered, though with Zoey and Ben hot on Minos’s heels it seems unlikely that this game is just gonna swing open the doors for them even if they manage to find the right number of keys in a fish tank or whatever.  Will Minos finally be brought down by the very champions that they’ve created, or will everyone be out for themselves in a desperate bid for survival?  Is there more to this game than they first realize, or are the Shyamalan twists in this thing easy to spot from a mile away?  Does any of it even matter when the game is apparently being run by money wizards that can literally do anything at any time with these nonsensical traps? 

“I KNOW THIS ONE! It’s a selfie challenge!” *CLICK* “Okay, maybe not.”
Continue reading “Cinema Dispatch: Escape Room: Tournament of Champions” →

Cinema Dispatch: Black Widow

~ Matt Vetrano ~ Leave a comment

Black Widow and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Cate Shortland

Wow, 2020 feels like a million years ago doesn’t it?  Not only that, it seems that spy movies were in vogue as not only this movie but The King’s Man and the new James Bond movie were set to come out before finding out the one thing you can’t stealthy murder your way around is a global pandemic.  Thankfully things are starting to clear up (though the pandemic is by no means over, GET VACCINATED!) and some of those 2020 holdovers are making their way to theaters.  We already got Fast 9 and Spiral, s s turn to save movie theaters with their latest billion dollar blockbuster!  Is this spin-off film for one of o now it’s Marvel’ the MCU’s most iconic characters the true start to the next wave of Marvel movies, or is did it miss its chance when the world turned upside down last year?  Let’s find out!!

Natasha Romanoff (Scarlett Johansson) is on the run after the events of Captain America: Civil War and is laying low in a trailer somewhere when she gets a message from her long lost spy-sister containing vials of some mysterious substance.  She is immediately attacked by a mysterious person in a mechanical suit with a skull painted on the faceplate, and so she goes to see her sister Yelena (Florence Pugh) who first tries to punch her a bunch of times before revealing that the vials are some sort of antidote for a mind control drug that the current crop of Black Widows are injected with; including herself who is only free now after a botched operation that her a face full of the anti-puppet juice.  With Yelena now free and Natasha having nothing better to do, the two of them start working together to bring down General Dreykov (Ray Winstone), the scumbag leader of the Black Widows who is now coming after them.  To find Dreykov though, they will need the help of their spy-dad Alexei (David Harbour) who was once the Red Guardian (the Captain America equivalent for the Soviet Union) and is now wasting away in prison, as well as the help of their spy-mom Melina (Rachel Weisz) who was a Black Widow herself and still has contacts with the organization.  Can this awkward family reunion get Natasha and Yelena the information they need to save the women under Dreykov’s control and end the program once and for all?  Will their spy-parents help them on their journey or will they be a bunch of Boomers about it and question why they feel so entitled to not being mind-slaved by the state?  How much is Marvel regretting their decision to end Black Widow’s story in Endgame, and how big of a sales pitch did they give to Florence Pugh?

“I’m telling ya, sis.  Four movies MINIMUM that will all make over five hundred million at the box office!”     “I’ll think about it, but no promises.”
Continue reading “Cinema Dispatch: Black Widow” →

Cinema Dispatch: The Forever Purge

~ Matt Vetrano ~ Leave a comment

The Forever Purge and all the images you see in this review are owned by Universal Pictures

Directed by Everardo Valerio Gout

The Purge sequels have been a favorite of mine since I started reviewing movies with the second and third one being fantastic examples of Carpenter-esque socially minded shlock action films, and even The First Purge managed to have much to wring another solid film out of the tired formula.  To keep it going with a fifth one though seems to be stretching it, and frankly the fact that I simply didn’t even know this movie EXISTED until about a month or two ago is not what I’d call a great sign.  Still, it’s amazing that any of these movies ended up working as well as they did and the world we are living through certainly gives Blumhouse and company more than enough material to work with for at least another film.  Is this a fun and familiar reminder of why we loved going to movies in the first place, or have the wheels finally fallen off this series just when people were most eager to go back to the theaters?  Let’s find out!!

Despite Senator Roan winning the presidency on a platform of ending The Purge, things are still the same by the start of this movie as the NFFA (New Founding Fathers of America) are back in power and the Purge is still on with nary a whisper of what happened in between.  None of this is of particular importance to Adela and Juan however (Ana de la Reguera and Tenoch Huerta) who are just trying to live their lives in Texas despite the prejudices of those who celebrate The Purge and even Juan’s employers who don’t but still don’t particularly care for him and his kind being around.  The two families ultimately end up on the same side though as this latest Purge Night doesn’t seem to go as planned as all the weirdos coming up with Busch League Jigsaw traps are still roaming the streets the next morning because this is the FOREVER PURGE and no one is gonna tell them to stop expressing themselves in the most violent and bigoted ways possible!  After Jan and one of his friends TT (Alejandro Edda) save his employers Dylan, Cassie, and Harper Tucker (Josh Lucas, Cassidy Freeman, and Leven Rambin) from one of those Forever Purgers, they find Adela and start driving for the Mexico border as they are taking in refugees from America… BUT ONLY FOR THE NEXT SIX HOURS which sounds a bit arbitrary but it certainly gives our characters a ticking clock to race against as they try to make their way to El Paso without getting murdered by a bunch of White Supremacists who feel that their time is now to rise and up and kill everyone they don’t care for as well as anyone who dares to help them along the way.  Can these people from disparate backgrounds work together and escape America before they’re stuck in there for good, or will the bitterness between Dylan and Juan prove to be the undoing for both of their families?  Just how long can this Forever Purge go, and is this all just another sinister tactic from the NFAA?  Is it just me or does everything feel a bit half-hearted here?

Nice hat, dork.
Continue reading “Cinema Dispatch: The Forever Purge” →

Cinema Dispatch: Fast & Furious 9

~ Matt Vetrano ~ Leave a comment

Fast & Furious 9 and all the images you see in this review are owned by Universal Pictures

Directed by Justin Lin

It looks like movies are back (at least for those who can safely vaccinate, which if you haven’t and are able to then do it please!) and what a better way to kick off the summer season than with another Fast & Furious movie!?  Gotta admit, I was not on the F&F train for over a decade and it wasn’t until Fate of the Furious that I finally gave the franchise a chance.  It’s a mixed bag to be sure, but the latter half of the franchise has been quite impressive as big budget spectacles though and the more professional wrestlers they throw into the mix the more I look forward to seeing them!  So after a year of global misery and despair, is this action blockbuster we need to celebrate our slow but sure recovery, or has the Fast Franchise gassed out right when we needed it the most?  Let’s find out!!

Dominic Toretto and Letty Ortiz (Vin Diesel and Michelle Rodriguez) have been living the quiet life with Dom’s son Bryan out in the country, but this peace is not meant to last as Roman, Tej, and Ramsey (Tyrese Gibson, Chris “Ludacris” Bridges, and Nathalie Emmanuel) show up with a distress message from the mysterious Mr. Nobody (Kurt Russell) and they are forced to come out of retirement to find him and find what he was trying to protect.  Sadly they don’t find the former, but the latter is a piece of some sort of doomsday device that is pretty much the SAME doomsday device these last few movies have had, and it gets taken right from under their noses by a mysterious jacked dude (John Cena) who also drives cars, has a cross necklace, and keeps staring menacingly at Dom.  Turns out that this is none other than Jakob; Dom’s long lost brother!  Not only must Dom and the crew stop Jakob and who he’s working for from getting the other pieces of the Doomsday Device, Dom must confront his past and perhaps even realize his own mistakes before they threaten to throw the world into utter chaos!  Will Dom be able to face his brother and bring an end to his maniacal schemes?  Who else has a stake in this Doomsday Device, and will they prove to be an ally or a hindrance to the Fast & Furious family?  Speaking of family, are we sure Dom and Jakob aren’t actually cousins, or were their parents’ genes an ethnic roulette wheel?

Come on, Cena! Do the U CAN’T SEE ME! You know you want to!!
Continue reading “Cinema Dispatch: Fast & Furious 9” →

Cinema Dispatch: Trailer Talk (Halloween Kills)

~ Matt Vetrano ~ Leave a comment

Halloween Kills is owned by Universal Pictures and all the images you see in this trailer talk are the property of their respective owners

The Halloween sequel from 2018 (which was actually the THIRD sequel to the original  movie; fourth if you count the sequel to the Rob Zombie reboot) had a VERY clear path to a sequel which I thought was to its detriment.  For me, finishing off the series, at least as far as Jamie Lee Curtis’s involvement with it, in one final definitive perfect movie would have been preferable to… well pretty much what they did the LAST time they brought Jamie Lee Curtis back.  In H20, she definitively killed Michael Myers and ended the nightmare, but then they made a sequel to bring him back and it was the worst Halloween film; yes, even worse than either cut of Curse.  Well despite my protestations, Universal and Blum House are going ahead with the sequel and we have our first trailer to check out.  Let’s see what they’ve got for us aside from a very awkward title!

Now it’s hard to say how any of it will work until we see the movie, but what’s interesting is that they are pretty much following the ORIGINAL sequel formula which is to have it take place on the same night after Laurie is taken to the hospital and have most of the action take place there.  They sort of did that at the start of Rob Zombie’s Halloween II as a misdirection before jumping ahead to several months later, but here they seem to be playing it fairly straight which COULD work I suppose, but so much of this trailer feels like retreading what we saw in the last movie.  Laurie is determined to kill Michael Myers, the cops are completely ineffectual, and somehow Michael manages to find the rest of Laurie’s family.  There also seems to be a shift in Laurie’s character based on the dialogue in this trailer which is raising some red flags for me as well.  In the last movie she was the only one who REALLY understood Michael, not as a fascinating glimpse into the human psyche like the podcasters or Dr. Sartain and not as a mere annoyance to be dealt with like the Sherriff, but as a mere mortal who is capable of great evil.  Her references to him being THE BOOGEYMAN as a coy put down of the myth people want to build up around him is also a defense mechanism to try and keep herself above everyone else and therefore justify her survivalist lifestyle.  Here, she’s talking about how each kill makes Michael grow stronger; like he’s a freaking Highlander.  Perhaps the lines are worded differently in the final film, but it feels like we’re going down the same road that the latter sequels did in making Michael more than he actually is.

“You ever see his eyes? They’re black eyes… soulless eyes, like a doll’s eyes…” “I mean he does wear a mask.” “THAT’S NOT THE POINT!!”
Continue reading “Cinema Dispatch: Trailer Talk (Halloween Kills)” →