Cinema Dispatch: Sinners

Sinners and all the images you see in this review are owned by Warner Bros. Pictures

Directed by Ryan Coogler

I may be coming to this one late, but it’s not like it’s gotten any less relevant since I saw it on opening weekend! The biggest news story in Hollywood, aside from all the depressing news about tariffs, has been the runaway success of Ryan Coogler’s action-horror period piece. It’s managed to keep audiences’ coming back for more week after week even in the face of the Marvel Movie Machine which admittedly snatch the first place spot from this, but staying at number two with strong weekly returns is an impressive feat in its own right. Still, a successful movie is not always the same thing as a good movie, and while Coogler’s record has been strong, he’s stretching a bit outside his comfort zone with a big budgeted movie outside of a recognizable franchise. Did this movie earn its impressive box office on its merits and through strong word of mouth, or did the hype surrounding this swiftly outpace the quality of the film itself? Let’s find out!!

Set in the small town of Clarksdale way back in 1932, we arrive on the scene just as two prodigal sons return; Elijah and Elias (Michael B Jordan) known by their nicknames “Smoke” and “Stack”.  They bring with them tales of the War and the bustling city of Chicago where they may or may not have done some questionable things that brought lots of beer and stacks of cash to the small town where they plan to open a juke joint for their community.  Caught up in their machinations are their cousin and the preacher’s son Sammie (Miles Caton) who, despite the protestations of his father (Saul Williams), is more than happy to play the blues for them on opening night where all their friends, as well as a few troublemakers, will be doing as the title of the movie suggests.  The raucous party is so good, in fact, that it catches the attention of a nearby vampire who sees plenty of fresh meat to sink his teeth into if he can just find a way inside.  Will this creature of the night find a way into the hearts and minds of those who have been marginalized and may be enticed by the powers that await them?  What brought the “Smoke Stack” brothers back to their home town, and are there things in this world that terrify them more than a literal vampire at their doorstep?  Whatever they did, I’m guessing it was worth it given the quality of those suits!

“Best part is, they’re both in my size!”     “Mine too!  What a coincidence!”
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Cinema Dispatch: Thunderbolts*

Thunderbolts* and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by Jake Schreier

I’ll say this about the Marvel movies. The Superhero Fatigue that everyone brings up is definitely overblown, but there is something a little soulless about the assembly line nature of their productions, and if Phase 5 can be said to have any significant flaw, it really took the shine off of the artistic side of things, as no one seems to have been benefitting from their involvement in them. Perhaps this is why Sinners, which I will be reviewing very soon, has been such a breath of fresh air for critics and audiences alike who are looking for something beyond the movie itself to root for; a story to tell that isn’t just a giant corporation hiring good artists to make perfectly fine products over and over again. Still, it’s hard to argue that the system hasn’t been working just fine for Marvel, and while I don’t know who Jake Schreier is beyond the solid reputation of Robot & Frank, I’m always interested to see what a filmmaker like this can do on the Mouse House’s dime. Is this another great entry in the MCU’s already impressive catalog, or are they desperately scrapping the bottom of the barrel to keep this machine going? Let’s find out!!

It seems that Disney is not the only one who misses the halcyon days of the original Avengers as everyone in the MCU is desperately trying to make that lightning strike twice; none more so than Valentina Allegra de Fontaine (Julia Louis-Dreyfus) whose company OXE Group has been putting superhero rejects on their payroll and performing secret experiments too horrific to describe. With congress on her heels, no doubt encouraged by the junior congressman Bucky Barnes (Sebastian Stan), Valentina needs to wipe the slate clean by destroying all evidence and any witnesses to her crimes which include Black Widow’s sister Yelena Belova (Florence Pugh), US Agent John Walker (Wyatt Russell), Taskmaster (Olga Kurylenko), and Ghost (Hannah John-Kamen); all of whom have done wet work for her and are eminently disposable in her eyes. Things don’t go as planned, however, as these castoffs find just enough common ground to try and work together to stop Valentina and whatever sinister plot she has up her sleeves. What secrets is she so desperate to hide, and do they involve a mysterious guy named Bob (Lewis Pullman), whose presence is a mystery even to himself? What convinced these B-list superheroes to work for such an obvious jerk anyway, and could Yelena’s father The Red Guardian (David Harbour) show them the proper path to being true heroes? Is the whole Losers as Superheroes trope a bit played out at this point, or is it just a sign of the times that our generation relate to losers more than anyone else?

“As they say in the old country, the bootstraps are mightier than the sword!”     “Shut up, dad.”
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