Cinema Dispatch: Cade: The Tortured Crossing

Cade: The Tortured Crossing and all the images you see in this review are owned by Neil Breen Films

Directed by Neil Breen

Neil Breen has been a curious figure in the recent cinematic landscape as critics and audiences alike are always on the lookout for the coveted So Bad Its Good movies and seem to have found a cash cow in the form of Breen’s bizarre and uncomfortably amateurish productions.  His latest feature, a sequel to his quasi-superhero flick Twisted Pair, has certainly garnered some buzz off of his reputation and the silly trailer he released, but the thing about Breen that makes him endearing is his clear earnestness and how fame hasn’t stifled his creative drive.  He could be out there on the Tommy Wiseau circuit and embrace the clownish reputation of his work, but he comes off as a sincere, if utterly incompetent and a little regressive, auteur who wants his movies to have genuine acclaim for their deep ideas and disturbing revelations.  Well, I plan to give him what he wants and to take this movie seriously.  No cheap shots, no, tired jokes, and no feigned bafflement at what we’re seeing.  We’re here to find out if Neil Breen has improved as a filmmaker and if his latest project is worth anyone’s time who isn’t in on the joke.  Will this be one step closer to Neil making his Oscar-worthy magnum opus, or has the king of bad movies somehow regressed further into incompetence?  Let’s find out!!

After the events of Twisted Pair where Cade Altair (Neil Breen) crushed the Cuzzx empire using his AI science-magic superpowers, he’s gone into philanthropy and has donated lots of money to a nearby mental asylum.  All is not as it seems, however, as the head doctor (Amy Solomon) is in cahoots with an evil corporation to perform horrible experiments and extract precious fluids from their patients.  A good doctor (Nicole Butler) is trying her best to make the situation better, but Cade is unimpressed when he realizes the terrors going on at this asylum and vows to help its patients become warriors of humanity and justice.  Seems straightforward enough, but what Cade doesn’t know is that his long-lost brother Cale (Neil Breen) has been hired by the corporation to kidnap patients and is trying to use the extracted fluids to make himself as powerful as his brother Cade once again.  Will Cade be able to save these patients from the dastardly corporation and bring justice to the world?  What does Cale have planned for Cade if he was to find out about his misdeeds, and is there any hope for him to turn his life around?  Is it just me, or does it seem that Neil Breen watched The New Mutants during the Pandemic and literally nothing else?

“I gave you clear blueprints for this place!  What the heck happened!?”     “Those weren’t blueprints, they were a stack of comic books with Bible passages glued over everyone’s face!”
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Cinema Dispatch: Teenage Mutant Ninja Turtles: Mutant Mayhem

Teenage Mutant Ninja Turtles: Mutant Mayhem and all the images you see in this review are owned by Paramount Pictures

Directed by Jeff Rowe

To be frank, I just never got the whole Teenage Mutant Ninja Turtles thing. I like the original live-action movie well enough, but it’s not a franchise that I ever got invested in as it just felt like one of those Gen-X holdovers that overstayed its welcome. Well, now the joke’s on me as my childhood is now getting eye rolls from the Zoomers who also can’t escape the prevalence of their previous generation’s obsessions. It’s the circle of life I suppose, and TMNT is taking yet another stab at staying relevant to the youngsters. Will this be another hit for the franchise to go alongside Rise of the Teenage Mutant Ninja Turtles, or will we be begging for the Bay-Turtles to come back by the time this is over? Let’s find out!!

In the beginning, there was ooze; and said ooze landed on a quartet of cute turtles as well as a very paternal rat. The ooze mutated them to be humanoid, but their ninja skills came from their adoptive rat-dad Splinter (Jackie Chan) looking for a way to protect his kids from the outside world. The turtles are now teenagers named Leonardo, Michelangelo, Raphael, and Donatello (Nicolas Cantu, Shamon Brown Jr, Brady Noon, and Micah Abbey) and while they can kick all sorts of butt with their ninja skills, they’re mostly used to get groceries and hide in the shadows; away from the scary humans who would surely reject them if they were to come out of the sewers. Sounds rather bleak if you ask me, but fortunately, they run into a high school reporter named April O’Neil (Ayo Edebiri) and she doesn’t immediately turn them in to the authorities to be dissected but instead comes up with a plan to make them heroes so that they can be accepted and go to high school, and she can get the scoop of a lifetime! Their mission is to take down the mysterious Super Fly (Ice Cube) whose been wreaking havoc all over the city with daring heists of top secret scientific hardware, and while the Turtles want nothing more than to live normal lives, getting closer to Super Fly also gets them closer to some very uncomfortable truths about themselves. What is this Super Fly after, and are his goals as evil as his means of achieving them? Is this a win-win scenario for all involved, or will the world never accept them even if they do save the day? Would we honestly be that shocked to learn of sentient turtles in the sewers who fight crime and eat pizza? I mean Congress had a hearing on UFOs and that barely lasted a day in the news cycle!

“I’m just saying, everyone thinking we’re from Krypton is gonna help us with our PR problem, and it’s not like they can prove otherwise! Heck, we don’t know where that Ooze came from! Maybe it’s from space!” “I think you’re stretching there, Mikey.”
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