Cinema Dispatch: Guardians of the Galaxy Vol. 3

Guardians of the Galaxy Vol. 3 and all the images you see in this review are owned by Walt Disney Studios Motion Pictures

Directed by James Gunn

It shouldn’t have taken us this long to get here as the last Guardians movie came out in 2017, but with James Gunn’s erroneous firing and the subsequent pandemic (one that’s still going on by the way), we’re rather lucky to have gotten this film at all. Oh sure, we would have gotten some sort of Guardians movie either way as Disney has invested a lot in this franchise, but to have everything fall back into place after all the shakeups seems almost too good to be true. With such a big story behind the camera, however, it does put added pressure on James Gunn and crew to deliver a proper capstone to this series which is easier said than done. Can they give us one last fantastic ride with the beloved Guardians, or was all the drama behind the scenes ultimately for a mediocre conclusion? Let’s find out!!

A lot has happened since Thanos snapped have the world and The Avengers snapped them all back, but The Guardians of the Galaxy are trucking along as best they can. Their new base of operations is thriving with a community of what I can only assume are outcasts and bounty hunters, and they’ve had at least one confirmed concert by Kevin Bacon. Still, Peter “Star Lord” Quill (Chris Pratt) is still struggling after the loss and confusing return of Gamora (Zoe Saldaña), and the rest of the Guardians have to pick up the slack with Rocket (Bradley Cooper) taking charge. Not exactly a perfect situation but one that they are dealing with, at least until Adam Warlock (Will Poulter) bursts in, kicks everyone’s butt, and nearly kills Rocket before getting booted back into outer space. With Rocket in critical condition, Peter along with Nebula, Mantis, Drax, and Groot (Karen Gillan, Pom Klementieff, Dave Bautista, and Vin Diesel) have to uncover Rocket’s past and his unique biology if they have any hopes of healing him, and in order to do this they will need the help of the Ravagers who have recruited Gamora in the time since she arrived to this dimension during the events of Endgame. It won’t be easy however as Rocket’s creator, The High Evolutionary (Chukwudi Iwuji), gets wind that Rocket has been found and is hell-bent on taking what he believes to be his and will destroy anything in his path to get it. Can the Guardians outwit this evil scientist and work together as a team, even with the awkwardness between Peter and Gamora? What role did the High Evolutionary play in Rocket’s past, and what could that mean for this final adventure? Oh hey, is it finally a Guardians movie that doesn’t focus on Peter? Sounds like a nice change of pace to me!

“See? Wait long enough and you finally get the spotlight!”     “I am Groot?”     “No, it doesn’t come with a pay raise.”
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Cinema Dispatch: John Wick: Chapter 4, Renfield, and Air

With the window between theatrical and streaming collapsing as movies are coming hitting the home market mere weeks after their run in theaters, it’s getting a little too easy for me to just forget about something and return to it when it’s most convenient for me.  Before, there was a window where missing it in theaters meant you couldn’t see it in any form for months, but now I can just hold out for a bit and see it when it’s still kinda relevant with the added bonus of being able to fold laundry when I do so.  I’ll definitely try to get better about this, especially with so many big releases that need attention soon, but for now, let’s have some fun looking at three recent movies that were on your TV before you knew it!

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John Wick: Chapter 4

John Wick: Chapter 4 and all the images you see in this review are owned by Lionsgate

Directed by Chad Stahelski

John Wick (Keanu Reeves) is finally striking back against The High Table to take back his freedom, but with every life he takes, he incurs a greater debt that his friends and associates are forced to pay back.  With his friend Shimazu (Hiroyuk Sanada) targeted and his other friend Caine (Donnie Yen) called in to take him out, John is forced to spill even more blood and find ways to work the system to his favor as yet another member of The High Table (Bill Skarsgård) has him in his sights.  Will John ever get the peace he desires, or will his quest for vengeance be his ultimate undoing?

Now I actually did catch this one when it was still in theaters, but it wasn’t easy for me to come up with the right words for it back then.  Perhaps the reason why is that the John Wick franchise has been a bit of a bugbear for me as I appreciate what it’s doing and how well it executes its vision but simply cannot get past the narrative which got worse with subsequent sequels.  That issue, thankfully, has been mitigated here as the script does a lot to work around its more obnoxious conceits, though we still haven’t quite made it back to the first film as far as being a great movie instead of just an action-packed one; hence why I’m just now getting around to it.  The lack of agency for our main character has been addressed as he has a clear goal he’s striving for instead of getting dragged around by contrivances, but with that freedom comes the expectation to have an actual character again and sadly he’s just not as interesting as he was in the first one; something that others have noticed as well as his word count in this final entry was a joke when it first came out.  Thankfully the film’s solution is to introduce a lot of fun and interesting characters to pick up the slack, though it didn’t escape my notice that a lot of their plot threads are left dangling as Lionsgate is clearly interested in milking this franchise for years to come.  Donnie Yen turns in a terrific performance and is frankly the star of this movie as far as I’m concerned as he has all the pathos that John should while kicking all sorts of butt in the many action scenes that he participates in.  He’s easily the best character the franchise has come up with and I wouldn’t be surprised if Lionsgate is already begging him to be the lead in the next few of these movies.  My personal favorite addition, however, is Scott Adkins who shows up doing a phenomenal riff on LeCheffe from Casino Royale.  The guy is one of our best underrated-action-stars and he proves to be a natural comedian in a role that could have simply been a joke but is genuinely engaging, and his fight with John ends up being my favorite action scene in the movie.  All of this is well and good, but a problem the films still haven’t addressed yet is the length as they’ve been creeping up past two hours since the second one and this one just goes on and on.  No matter how good the action scenes are in this, and they are very good, it’s hard to sustain enthusiasm for as long as this movie expects you to.  I know I’m a bit of a sourpuss when it comes to this series and I admit that a lot of my antipathy is specific to my taste in storytelling, but for what it’s worth this manages to be a high note for the sequels even if it still can’t quite recapture the magic of that first film.

3.5 out of 5
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Cinema Dispatch: Evil Dead Rise

Evil Dead Rise and all the images you see in this review are owned by Warner Bros Pictures

Directed by Lee Cronin

Not to toot my own horn but I’m of the last generation to actually rent movies from video stores, and while I never had a cool indie place to find obscure classics, my local Blockbuster had a decent collection that included the first Evil Dead movie.  Needless to say that taking it home without any understanding of what I was getting myself into turned out to be a formative experience and I’ve had a soft spot for the franchise ever since.  Still, we’re over forty years removed from that first movie, and with sequels, remakes, video games, and even that TV show from a few years ago, it’s fair to say that you’ll need to do something quite different to crawl out from under the shadow of the original trilogy.  Can this latest take on the material hope to fill those massive shoes, or has it long since run its course, and are we left with the undead facsimile of what we once loved?  Let’s find out!!

Unlike the previous films which kept the action to either a cabin in the woods or a medieval kingdom, our story begins in the city of Los Angeles where Beth (Lily Sullivan) visits her sister Ellie (Alyssa Sutherland) and her three kids, Danny, Bridget, and Kassie (Morgan Davies, Gabrielle Echols, and Nell Fisher) who are trying to make ends meet despite being kicked out of their apartment building in the coming days.  Fortune seems to favor this family however as an earthquake hits that rips open a secret bank vault beneath the building and Danny goes in to find a mysterious old book and some old records that they may be able to sell for a few bucks.  I mean if he had a chance to get it on eBay I’m sure he’d make a mint given how obsessive Evil Dead fans are, but sadly the book has other plans as the record contains the ancient incantation to summon the Deadites which finds a nice comfy home in Ellie and starts making things awkward for everyone.  Can this family survive the night and escape the clutches of this rampaging Deadite?  Does the book contain any clues on how to stop this, and are there chapters within it that we’ve never seen before?  Is anyone else a little perplexed at how much of a downer this seems like?  I don’t know; maybe there was a reason these movies were more about Ash than the lore?

“Give me some sugar, Baby!”     “Uh… maybe later?”
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