Cinema Dispatch: Dungeons & Dragons: Honor Among Thieves

Dungeons & Dragons: Honor Among Thieves and all the images you see in this review are owned by Paramount Pictures

Directed by Jonathan Goldstein & John Francis Daley

Tabletop RPGs and I; we just don’t get along.  I guess I just grew up with video games that integrated the mechanics of RPGs in a way that didn’t require math or looking up obscure text in a dictionary-sized player’s manual, and the few experiences I’ve had with them were rocky at best.  Still, there’s no denying that Dungeons & Dragons is second only to Tolkien as far as influence in the fantasy genre, and while the last attempt at a film adaptation didn’t fare too well, there are enough unique ideas and creative settings for a truly great movie to base itself around.  Does this latest attempt at bringing the tabletop game to life leave us with an exemplar of the genre or was this campaign doomed from the start?  Let’s find out!!

Our fantasy hero for this epic tale is the bard Edgin Darvis (Chris Pine) who has been locked up for several years after a regrettable crime and wishes for nothing more than to pay his debt to society and reunite with his daughter (Chloe Coleman)!  Well at least that’s the story he wants you to believe when in actuality he’s a thief who got himself and his partner Holga Kilgore (Michelle Rodriguez) locked up after a botched robbery, and instead of paying his debt to society he’s just gonna break himself and Holga out of there to reunite with his daughter who has been under the care of another member of their crew who managed to escape.  Said escapee is Forge Fitzwilliam (Hugh Grant) who I’m sure you are shocked to learn maybe had something to do with those two getting caught in the first place, and while he has been taking care of Edgin’s daughter, he’s also been cavorting with a red wizard (Daisy Head) and, worst of all, has gone into politics to become the Lord of Neverwinter!  With Forge intent on keeping his power and the red wizard Sofina looking to advance her own agenda, Edgin and Holga are forced to go on the run and find a way to stop them; most likely by pulling off a heist because that’s what they’re good at.  To help with this task they recruit another former associate, the young wizard Simon (Justice Smith), as well as a tiefling druid named Doric (Sophia Lillis) who has her own reasons for wanting to bring down the current Neverwinter administration.  Along the way, they’ll find themselves in perilous situations, fighting red wizard minions, and facing tough emotional conflicts; quipping their way through it all because this crew is on the chaotic side of the alignment and are at least a little flexible on the good and evil axis.  Can a band of such disparate misfits hope to pull off this heist against a stronger and more ambitious foe?  What lessons must be learned for them to come together as a team and fight for the greater good?  Can they maybe fight for the neutral good or semi-good?  I mean being a hero doesn’t pay the bills, right?

“I suggest we throw a rock down there first to see if it’s safe.”     “How about we throw you down there?”    “Me!?  Why!?”     “A rock can’t scream.  How will we know if it’s unsafe without screaming?”
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Cinema Dispatch: Shazam! Fury of the Gods

Shazam! Fury of the Gods and all the images you see in this review are owned by Warner Bros Pictures

Directed by David F Sandberg

The announcement of James Gunn taking over the DCEU has certainly put this and a few of their other recent projects in an awkward position. Sure, there are questions of continuity and whatnot which I’m sure will be hashed out eventually, but these are projects that were built from the ground up under a regime that is no longer in charge, and it’s still a huge question mark as to how much Gunn is willing to carry over from the years that can be charitably called misguided. Still, the future is a concern for another day and the first Shazam movie was definitely a bright spot in the DCEU’s darkest days and perhaps it’s better suited than most to make the leap from old DCEU to Gunn’s DCEU. Does this movie prove that this is a viable character and film series going forward, or will this be a depressing reminder as to why they handed it over to Gunn in the first place? Let’s find out!!

A few years after the events of the first film, we find Billy Batson (Asher Angel) and his family (Ian Chen, Jovan Armand, Grace Caroline Currey, and Faithe Herman) are still protecting Philadelphia from whatever crimes and random disaster befalls their city using their Shazam powers that turn them into super hunky adult superheroes (Zachary Levi, Ross Butler, DJ Cotrona, and Megan Good). Still, the one thing their powers cannot overcome is the ceaseless march of time and Billy is already seventeen which means he’s going to age out of the foster system soon and doesn’t know what to do with his life if he’s no longer with his family who will also one day go their separate ways. Freddy (Jack Dylan Grazer) in particular seems ready to fly the coop and start a solo act with his superhero persona (Adam Brody), but when he gets caught up in a plot by three Gods (Helen Mirren, Lucy Liu, and Rachel Zegler) who steal his powers and want to do… something nefarious, Billy and the rest must find a way to save him and stop these Gods before Philly is destroyed. Will Freddy find a way to be heroic even without the superpowers gifted to him? Will Billy be able to stop these Gods and come to terms with growing up and moving forward with his life? Will the other Shazam heroes also find something to do in this movie, or are they just kinda there for emotional support?

“I’ll defeat you if it’s the last thing I do!” “And we’ll help!” “Sure, I guess…”
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Cinema Dispatch: The Super Mario Bros. Movie

The Super Mario Bros. Movie and all the images you see in this review are owned by Universal Pictures

Directed by Aaron Horvath & Michael Jelenic

I’m not sure how clear I’ve been about this in the past, but this is kind of a big deal for me because I’ve been a Mario fan for as long as I’ve known that video games existed.  To this day I lean towards Nintendo consoles, and while I haven’t finished Odyssey quite yet, I’ve at least finished all the primary 3D console games of which this adaptation is taking a lot of its inspiration.  Needless to say that I will have far more thoughts on this than I should have, and in order to express them all I’m going back to my classic overlong format just in case you were all getting far too used to my newer snappier style.  Given the decades of hype and speculation around the idea of a proper Mario movie, is there any hope of Illumination rising to the challenge and delivering the best video game movie ever made, or do we need to lower our expectations to something a little more reasonable given the studio’s particular brand of middle-of-the-road family entertainment?  Let’s find out!!

Mario and Luigi (Chris Pratt and Charlie Day) are two Brooklyn plumbers who have just started their own business and are ready to make it big!  Sadly the duo doesn’t have much luck as shenanigans abound, and a flood in the city leads them to some magical green pipes that transport them to the fantastical Mushroom Kingdom.  Well, at least Mario gets sent there while Luigi gets sent to The Dark Lands and winds up as a prisoner of King Bowser (Jack Black) who is the big bad around here and is looking to take over the kingdom by dethroning Princess Peach (Anya Taylor-Joy).  With Mario looking to save his brother and Peach needing some muscle for her upcoming war with Bowser, the two strike a bargain to help each other as they head to the Jungle Kingdom to enlist the help of the Kongs.  Will Peach and Mario be able to save the kingdom and Luigi from Bowser’s terrifying machinations?  Can Mario learn the ins and outs of this world and become its greatest champion like John Carter and Flash Gordon before him?  What’s really driving this Koopa tyrant in his quest to take over the world, and does he sing a song about it? 

How appropriate would it be to reference a Tenacious D song here?  Yes, that one.
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