Twenty Years of Halo: Red vs Blue Season 1

Artwork by Usbaia

The Halo franchise is owned by Xbox Game Studios

Today we’ll be taking our first detour into non-official fan works as opposed to licensed material, though Red vs Blue is definitely something that fits in the gray area of which we’ll see more of the further we get into this retrospective.  In any case, it’s no surprise that Halo generated a lot of fan made content considering how successful it was at release and how much Microsoft and Bungie pushed it as THE NEXT BIG THING, and Red vs Blue in particular is inalterably tied into the franchise and I’d say is more than a little responsible for having such an enduring presence in the industry.  Its place in entertainment history is definitely secured, but does the show itself still hold up to this day?  Let’s find out as we look at the first season!!

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Red vs Blue and all the images you see in this retrospective are owned by Rooster Teeth

Red vs Blue is a Machinima series (i.e. a narrative show using gameplay footage) created by Rooster Teeth depicting two teams who are fighting for control of a dirt canyon of no particular significance and was created using the Halo games.  On Red Team we have the delusional yet slightly competent Sarge, the lazy yet somewhat sensible Griff, the genuinely smart Simmons who’s also a total brown nose for Sarge, and the new recruit Donut who ends up getting pink armor because this was made back when something like that was considered hilarious.  On Blue Team we have interim team leader Church who’s a HUGE jerk but kind of the main character of the series, the fun yet ALSO lazy Tucker, and the very ignorant Caboose who’d be like if Ed from Ed, Edd, n Eddy grew up to join Space Force.  Throughout the first season we learn more about the teams as well as get introduced to secondary characters like Lopez the Red team’s robot mechanic, Sheila the Blue Team’s talking tank, and Tex the freelancer hired by the Blue Team with a checkered past that ties directly to Church’s.  Compared to where the series will end up going on later seasons, the first is fairly self-contained and can be broken down into three primary arcs; Donut getting the Blue Team’s flag, Tex getting Blue Team’s flag back, and Tex going after Red Team’s flag, but for the most part the actual plot is secondary to the characters’ personalities bouncing off of each other in a ludicrous combat situation; kind of like what Archer would eventually do with the spy genre a decade later.  Needless to say that with all the silly situations, potty mouths, and it being a cool VIDEO GAME thing, I was pretty obsessed with this show when I was a teenager, but there were a lot of things I liked when I was a teenager that don’t hold up now, so is this one of them?

EVERYTHING’S FINE! NO PROBLEMS HERE!!
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Cinema Dispatch: The Little Things

The Little Things and all the images you see in this review are owned by Warner Bros Pictures

Directed by John Lee Hancock

Say what you will about HBO Max’s plan on releasing movies on their service the same day as theaters, it’s done a heck of a lot more to get me excited about watching movies again than anything else has in the past year.  Sure the movies never STOPPED coming out whether it was on other streaming services or on VOD, but HBO giving us a list of first run movies that we can expect to see this year gives me something to build a schedule around which very few things have been able to do since this whole pandemic started.  Heck, it’s half the reason I started my Halo Retrospective so that I’d have something to work towards every single week!  So with all that being said, is this movie the start of a renewed sense of vigor for my aspirations of becoming a film critic, or has Warner Bros gotten me all hyped up for even more drivel that wasn’t going to hack it at the theater anyway?  Let’s find out!!

Joe Deacon (Denzel Washington) is your typical washed up patrol man.  He works in a dead end nowhere town and is happy to write parking tickets and scarf down doughnuts until his retirement, but he is forced to go to Los Angeles to pick up some evidence in a relevant case, and as soon as he gets there it’s clear that he has a bad history with this particular precinct.  There’s at least one detective however who doesn’t seem to care that he’s back in town, and he’s the new hot shot Jim Baxter (Rami Malek) who’s working on a solving a series of murders that definitely look to be connected but he’s unable to finger a suspect on them.  With Joe being back in his old town and Jim having to deal with the disappearance of Rhonda Rathburn (Maya Kazan) who could very well be the serial killer’s next victim, they begrudging start working together as Joe seems to be trying to redeem himself for something bad in his past and Jim is starting to wonder if he’s good enough to find this killer in the first place.  Through some sly investigation they manage to find some dude with the unfortunate name of Albert Sparma (Jared Leto) who seems to be their guy, but they are just having a heck of a time trying to find conclusive evidence that’ll put this guy away for good.  Will Joe and Jim learn to appreciate each other’s strengths and faults to become best buddies as they spend all their time following this weirdo around?  What exactly is Sparma up to, and is he playing games with everyone without them realizing it?  Is there any way we could just cut to the chase on this or will we spend half this movie sitting in a car as bored out of our minds as these two?

“I walk a higher path, son.”     “Yeah, haven’t heard that one before…”
Continue reading “Cinema Dispatch: The Little Things”