Month: January 2020

Cinema Dispatch: 1917

~ Matt Vetrano ~ Leave a comment

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1917 and all the images you see in this review are owned by Universal Pictures

Directed by Sam Mendes

Is it a 2019 movie or a 2020 movie?  I mean I guess it’s the former as I doubt Universal wants to wait until NEXT February for it to win a bunch of Oscars, but while some critics may have gotten to see it back in December I only have the chance to see it now right alongside other sterling January releases like The Grudge and the upcoming Dolittle.  Well now that they finally let the general public see this, does it live up to the hype it’s been building up over the last few weeks, or is there a reason they held it off until the dumping ground month despite the pedigree behind it?  Let’s find out!!

Will Schofield and Tom Blake (George MacKay and Dean-Charles Chapman) are just two dudes in the British Army milling around France during World War I with the rest of their unit as they try to wait out the German army who are on the other side of No Man’s Land on whatever battlefield they’re on.  That’s all about to change however as the general Colin Firth has given them a critical mission to deliver new battlefield orders to a company several miles away that as it turns out has Blake’s brother serving in it.  It seems that recent changes in the German Army’s movements have given the impression that the company can secure victory with one final push that they’ve scheduled for the morning, but new information has confirmed this to be a trap that will no doubt lead to most if not all of the sixteen hundred men in that company to their untimely deaths.  If these two can get this information to the commanding officer in time, the attack will be stooped and all those men will be saved (or at least die a much more timely death), but it is not an easy undertaking as German soldiers are still scattered across the region; not to mention the environmental hazards like traps, rain, mud, and both sunlight AND darkness coming with their own troubles as well.  Can they makes it in time so that these soldiers can live to fight another day?  What hardships will they encounter on this journey, and are both of them ultimately up to the task?  Did Sam Mendes actually make a 007 prequel without telling us!?  I mean they’re making a Kingsman prequel, so why not?

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Considering how much this dude runs, maybe it’s a Mission Impossible prequel.

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Super Wrestling: AEW Dynamite (01-08-20)

~ Matt Vetrano ~ Leave a comment

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AEW Dynamite is owned by All Elite Wrestling, Shahid Khan, and TNT

Welcome back to another week of TNA Impact! … Wait, that’s not right. Welcome back to WCW Thunder! Nope! Try again! Welcome back to… AEW? There we go! Seriously, trying to fight the WWE is like one of those rouge likes with perma-death where you have to start over with a brand new character from scratch. Thankfully this just might be our best specced character yet as AEW has kept on chugging with quality content and management seems to have a good head on its shoulders for what are reasonable expectations for the brand. Is this week’s episode another memorable and fun entry in the already venerated wrestling promotion? Let’s find out!!

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Kenny Omega & Hangman Adam Page Vs. Private Party (Isiah Kassidy & Marq Quen)

The big in-ring story for AEW going into 2020 is where The Elite stand as the de facto Face faction and whether they will break their losing streak anytime soon, but the thing is I’m not as bothered by Kenny Omega’s losing streak as I am by his utter directionless at the moment. Where Cody has his one big storyline and a few other things simmering in the background that we’ll get to later, everything with Omega feels like it’s stuck in the background and it’s hard to really sink your teeth into his character when even he doesn’t seem to have a clear set of priorities. At least Kenny has those background things going on though. While stuff like his feud with Pac and whatever he has going on with John Moxley aren’t front and center, they’re at least THERE in some capacity. Adam Page really has nothing going on other than his own frustration at having nothing to do, so if nothing else putting him in matches with Omega has at least dragged him a bit forward as well. So how is the match this week? It’s pretty good, but a bit plodding. Kassidy is in that ring for a LONG time and is basically the whipping boy for the entire first half of the match as Omega and Page work him over to show how tough they are, but Quen at least makes a comeback and does a good job of keeping Page and Kenny from running away with it. There just wasn’t a whole lot to really excite me in this however, at least until the end when Page and Omega start working together and lay some SERIOUSLY painful combo attacks and Kassidy. That’s pretty late into the match though and I’ve always been of the opinion that an opening match should get in and out to pump up the audience. We do eventually get a spot where Kenny has Quen in a hold and Page tries his Buckshot Lariat where he once again accidently hits Kenny, but it’s like the third time we’ve seen it so it doesn’t mean a whole lot. The only thing that’s KIND of surprising is that Page (aside from the whole Lariat thing) is actually trying to be a good teammate as he protects Kenny at points and even breaks up a near fall to save the match. It seems to be done rather begrudgingly, but it at least shows that Page isn’t some One Dimensional Sourpuss who will screw over his own teammates for no reason. Kenny ends up winning the match by landing a One Winged Angel on Marq Quen for the pin, and afterwards we see Pac on the big screen doing some sort of submission on Michael Nakazawa (I’m guessing it’s the Brutalizer?) who then once again says that it’s Kenny’s fault and that he wants his rubber match. Ultimately this match and this angle felt like a holding pattern rather than an advancement of the storyline as we’re just repeating the angle from last week. Not bad, but not how I’d start things out.

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Cinema Dispatch: The Grudge

~ Matt Vetrano ~ Leave a comment

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The Grudge and all the images you see in this review are owned by Sony Pictures Releasing

Directed by Nicolas Pesce

In the great debate that I ASSUME exists, I was always more of a The Ring guy than a Grudge fellow; mostly because I’ve actually SEEN the Ring movies (at least the Western ones) and haven’t seen any of the Grudge movies (not even the Western ones).  Things might change however as The Ring had its chance to reassert its relevance, but instead completely missed the mark with the awful Rings, and if nothing else this one looks to be trying to build a stronger and more intense atmosphere than the cheap cash in nature of Sadako’s most recent Western adventure.  Is this the movie that will finally get those of us to jump on the Grudge train, or is this the perfect illustration of why we never bothered with it in the first place?  Let’s find out!!

Detective Muldoon (Andrea Riseborough) has just arrived in town and is still reeling from the death of her husband, but is managing to eek out a somewhat stable life with her son Burk (John J Hansen) with her new job at the local police station.  Her partner Detective Goodman (Demián Bichir) has some clear baggage from something that Muldoon hasn’t sussed out yet, but when a body shows up with an address to the nearby spooky house, it’s time for her to uncover whatever secrets are being hidden from her.  It turns out that the first owners of the House, The Landers (Tara Westwood, David Lawrence, and Zoe Fish), were all murdered by the wife.  The realtors who were trying to sell the house for them (John Cho and Betty Gilpin) ALSO wound up dead under similarly grim circumstances.  There were other occupants who arrived after them, you can probably guess how they ended up, and now Muldoon is sniffing around the place which will no doubt attract the attention of whatever ghost, curse, or GRUDGE as it were, that is affecting the people who get near this place.  Will Muldoon not only uncover the secret of all these mysterious deaths but also stop the bloodshed once and for all?  What is the entity that is behind all of this, and what is after aside from endless slaughter and mayhem?  Is it just me or did they seriously oversell John Cho’s presence in the trailers?  I’m getting flashbacks to that Godzilla movie that had Bryan Cranston in it for like twenty minutes!

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Sir Barely Appearing In This Movie

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Cinema Dispatch: Top 8 films of 2019 That Need Improvement

~ Matt Vetrano ~ Leave a comment

As with the good list, so must come the bad.  Except… maybe not quite, this year?  There’s been a lot of blow back to WORST OF THE YEAR lists and especially WORST OF THE DECADE ones that have been coming out as well, and I do understand why.  These things can come off as snarky and mean spirited and there’s just not a lot of constructive criticism to be had when trying to make clickbait WORST OF lists.  Personally I’m not too happy with how my list came out last year as it felt a bit performative which is not what you want if you want to be taken seriously and not just someone looking to chase down easy views.  I still firmly believe there is value in recapping bad movies as I’ve already said negative things about them already in my reviews, and there are certainly films with horrible messages that are worth deriding as well as technical failures that are worth learning from.  The lessons from last year have definitely been learned however and so instead I’ve narrowed it down to films REALLY worth talking about instead of just trying to round it up to ten, and I’ll avoid using overly superlative language; hence why this is a NEEDS IMPROVEMENT list instead of a WORST list.  Without further ado, lets’ get started!!

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Honorable Mention: Star Wars: The Rise of Skywalker

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Full Review

If we’re gonna approach this as a NEEDS IMPROVEMENT list, I don’t think we could have asked for a better example than JJ Abrams’s attempt to stitch the Star Wars fan base back together which may average out to a good movie (hence why it’s only an Honorable Mention), but it’s flaws are ridiculously glaring throughout.  I could sit here and list all the reasons this movie’s slapdash narrative fails to connect both in terms of the previous Disney Star Wars films as well as well as what we expect from movies in general, but you should already know by now how rushed the pacing is, how many plot points are shoved in here, and how much backtracking they did to paper over basically everything I liked about The Last Jedi.  And yet, what’s most interesting to me is that for all the effort JJ Abrams and company clearly put into this Frankenstein monster of an ending, no one seems particularly happy with it!  Certainly not the fans who were more or less clamoring for something more familiar than The Last Jedi provided, so what was the point?  Was the vocal minority of obnoxious fans (not all people who didn’t like The Last Jedi; just the ones who wouldn’t shut up about it) loud enough to scare the most powerful entertainment company in the world into spending half a movie apologizing for it?  Was JJ Abrams not able to square the circle that Rian Johnson left him and just reverted back to his original plans that no longer fit with the new paradigm?  We probably won’t know for sure exactly went wrong for some time, but as far as I’m concerned the answer is clear on how this could be fixed.  Do something different!  It worked for The Force Awakens, The Last Jedi, Rouge One, The Mandalorian; heck, even Solo felt like its own thing within the Star Wars universe!  By being so referential and tied to the original trilogy without properly examining it or making it feel like a modern interpretation of its core themes, we ended up going through the motions but in an utterly directionless fashion; knowing the steps but not knowing where they were gonna take us.  Maybe that Rian Johnson trilogy will work out a lot better.  I’m sure some fans will hate it, but I think we’re officially done giving the obnoxious subset of that group the time of day.  Their moment came and went, and all they got was an okay movie that they can’t stand either.

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Cinema Dispatch: Top 10 Best Movies of 2019

~ Matt Vetrano ~ Leave a comment

Another year has passed and as usual we have to spend the first few days of the new year looking back at what came before; usually ranked from ten to one in some fashion!  Well, let no one ever say that I’m not a part of it too as we’re here today to look at my favorite films of 2019 which turned out to be a pretty good year all things considered!  I mean… for movies at least as we’re still facing the overwhelming threats of fascism, climate change, and bigotry every single day with a commander in chief that’s only bee fanning those flames even further, but at least we have these movies to provide us with a modicum of relief and escapism between trying desperately to fix it all before it’s far too late!  Will YOUR favorites be reflected on here, or will this prove once and for all that I have absolutely no taste?  Let’s find out!!

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Honorable Mention: Dolemite Is My Name

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I have no particular fondness for Rudy Ray Moore as I only know his films by reputation, but boy was this a fun little story about yet another artist yearning to get his vision out there; and make a few bucks along the way of course!  I’ve always been a sucker for films that take place on a movie set and I even put The Disaster Artist on my 2017 list, but what sets this one apart is just how different its subject matter is from other films like it.  A lot of times these movies about artists are essentially a reflection on the creation of art itself, but few come from the world that Rudy Ray Moore came from with the priorities that come with it.  Guys like Tommy Wiseau wanted a creative outlet and the adulation of the public.  Rudy Ray Moore certainly wanted that as well, but there was more at stake with the creation of this movie (namely his career and financial stability) and there’s something a bit nobler about making a movie for an underrepresented audience than making a movie out of sheer ego.  I have no idea how accurate this movie is and you should take any biopic with a grain of salt, but for what it’s trying to do and the story it’s trying to tell, it succeeds with a whole lot of style and a whole lot of heart!

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Super Wrestling: AEW Dynamite (01-01-20)

~ Matt Vetrano ~ Leave a comment

AEW Dynamite is owned by All Elite Wrestling, Shahid Khan, and TNT

Happy New Year and TGI Wednesdays! It’s the start of a new year and AEW is ready to bring us some more of that great wrestling action, only now they’ve reset everyone’s win lose records from 2019 so everyone is now at zero-zero and they can all start fresh! Only everyone is still ranked exactly where they were last year… and they still show each wrestler’s CAREER win lose records instead of just this year’s… but I guess it’s still important! Somehow! Aside from that odd little lurch in year change, does AEW come out on New Year’s Day swinging for the fences, or is this just another day ending in Y for them? Let’s find out!!

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Cody Rhodes Vs. Darby Allin

The match starts off a bit odd as both guys come out with dudes who just seem to be there to be eye candy; Allin with some guy from some band I’ve never heard of and Arn Anderson who I highly doubt is going to get in the ring or interfere in the match, but whatever; it’s the new year so they wanted to add a bit of pizazz to their first match! Once they get to the match it’s actually quite great as both guys show off a heck of a lot of athleticism even if neither one of them come off as big powerhouse. I mean they’re not quite at Lucha Bros level of raw acrobatic athleticism, but the amount of twists, spins, rolls, and flips is quite impressive here and works to Darby Allin’s strengths which are NOT inflicting huge amounts of pain in a single punch. I think one of the things about Cody is that he’s so… right down the middle I guess that he can work with almost anyone and it can come off as believable. He doesn’t have the over the top physiques of Kenny Omega or Pac, and he isn’t as nimble as small guys like Allin or Jungle Boy, but his move set is dynamic enough that he can more or less adapt to any opponent he’s facing. The turning point in the match is when Allin knocks Cody right on his shoulder on the apron which Cody sells like a broken arm, and so now Allin has a chance to pull off some bigger moves on the guy like his famous Coffin Drop on the apron as well as working the arm for maximum damage. However, the match does come to an end with Darby Allin going for a second coffin drop on Cody who’s ready for it this time and gets his legs up way in advanced; destroying Allin’s back on impact and getting pinned by Cody immediately after he lands. I like this because it plays into Allin’s character and doesn’t necessarily make him look bad. Darby Allin is definitely a risk taker; always willing to put his body on the line at the drop of a hat. In a lot of case this is good because he’s willing to do the big dangerous moves that no one else will, but it’s also his fatal flaw as Cody so aptly exploited here. It was a solid match to start the show out on and best of all it didn’t wear out its welcome or burn out the crowd; preferring to leave them wanting more to get them hyped for the rest of the show.

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Cinema Dispatch: 21 Bridges

~ Matt Vetrano ~ Leave a comment

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21 Bridges and all the images you see in this review are owned by STX Films

Directed by Brian Kirk

Look, the holiday season is a busy time and this one slipped through the cracks, alright?  Besides, even if this movie hasn’t been in theaters since Disney Plus came out, it still has SOME value… at least once the blu ray comes out… right?  Eh, whatever.  I’ve got a To Do list for the end of the year, and we’re putting a little check next to this one right the heck now.  Is this cop thriller a fun little distraction from the rest of the big movies that came out in the last two months, or is there a reason I kept pushing this one to the back burner until it was well past the point of being relevant?  Let’s find out!!

Super Detective Andre Davis (Chadwick Boseman) is called to the scene of a gruesome crime.  A bunch of cops were found dead at the scene of a drug robbery and the two suspects have disappeared with a large amount of cocaine.  Said suspects are Michael and Ray (Stephan James and Taylor Kitsch) who we learn were not expecting THAT much coaine to be there, let alone any cops, and so they have to find a way to get out of town and probably even further than that as soon as possible with the drugs they took being their best bargaining chip in the seedy underbelly of organized crime in the city.  Andre however is hot on their heels along with his temporary partner Frankie (Sienna Miller) from Narcotics that seems to be particularly invested in this case along with Captain McKenna (JK Simmons) who was in charge of all the officers gunned down during this raid.  Andre’s big plan to catch the crooks is to shut down the island of Manhattan (which includes it’s TWENTY-ONE BRIDGES) to any traffic in or out and hopefully root out the two bad guys before they can escape without a trace, but as Ray and Michael work their way through dealers, contacts, and Swiss bank account dudes to try and secure safe passage, they may have come across some information that puts an even bigger target on their backs than the ones they already had.  Will Andre be able to find these two and uncover the mystery of wat exactly happened this night?  What secrets did Ray and Michael learn, and is it their ticket to freedom or their ultimate death sentence?  Most importantly, is this a role worthy of the king of Wakanda!?

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“So Black Panther 2 isn’t coming out for another two years?”     …     “Sigh…”

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